Hello everyone, I am Yobanka and I welcome you to my Yobanka art paint channel in this tutorial I want to share with you an idea to paint a beautiful painting with a vase full of beautiful flowers, the first thing I have done is with the help of a pencil mark the exact place where the vase will go, which has a small oval or round shape and will have a metallic appearance, but first you have to prepare the background for the background I am using titanium white, a warm yellow and a light Siena for use a brush or a wide, flat brush to mix the colors using the wet-on- wet technique , all the stains are intentionally placed on top, the colors will be much lighter to achieve a sensation later in the painting process from afar we are going to mix and integrate the colors very well by brushing to the right and to the left always in the same direction until we can perfectly integrate the colors. The environment that surrounds the vase has to be darker, so in that area and using a shadow color and a shadow earth to start darkening the area, all that work that we are doing later we are going to perfect it these are only the first spots, I darken All contour where the vase is going to be and I continue to blur to perfectly integrate the colors I am going to start making the vase and I am going to use the same colors that I have used in the background but giving the brush strokes in another direction this time in principle they will go from top to bottom, these first spots are not going to be the final ones, but they are very important because we are going to define and exactly where our piece goes with these first spots on the vase I am going to mark the areas with more light and the areas where it affects less light, the left part has more light than the right part, I am going to use a full of talo to start marking the darker areas, this color then practically no It will be seen but it will help us a lot to give it a cold appearance, what is it that metal transmits a cold appearance to us and this mixture of warm colors with cold color will help us a lot to achieve that feeling, I put it especially in the part right below, on the left bottom part and on one side at the top on the right side that little blue blur perfectly, and now I will start using a sienna traditional toast to start to darken around the vase, Before I made a painting, lengthening the brushstroke a lot and making the colors integrate perfectly with each other, now I have changed the brush and I begin to deposit the paint in a different way by tapping, on the right side we will continue to preserve the darkest areas and as we get closer to the left side we are going to lighten the color until we get a perfect blur this process is important it is important that we first make the difference in color r where the dark ones go and where the light ones go and then let's work on the surface that we already had prepared to achieve this magical effect, notice that at the top left I have left a much clearer area that is where a point of light that is going to get or give us the feeling of total volume in the vase, on the left side the contour of the left side does not have an area with a lot of light but as we move towards the front we make each Once it has more clarity and in this way we are going to get that rounded shape and with that beautiful volume, see how that precious volume is already beginning to come out, and now I want you to look at this, look at the image and you will see how as I darken the contours, I am using a much darker color, the shadow earth we are going to see how suddenly the vase seems to be coming out we are going to surround it with this dark color on the right, on the left da and from the bottom we are also going to outline the edge and we are going to paint the shadow that it projects on the table.You have seen how suddenly the vase seems to have come out, has volume and has a life of its own, once we have marking those darker areas we have to integrate that color with the rest of the background, we are going to mix the colors with patience and giving small strokes of paint until we can perfectly integrate the background with those dark areas we are also going to make a difference between the table and the part of the bottom of the vase we have to ensure that it has that volume using we are going to always use the same colors so I am using a small brush to get small spaces of color and create the environment or the volumes that I need as the light comes from the left, it is certainly reflected on the table as well, so I give it small touches of white and then seamlessly integrate the color with the rest of the work that I'm doing I already have the vase finished, the table and the bottom part, in the upper part of the vase we also have to make a darker area since that area will be full of flowers and the flowers themselves to generate a shady area and we go To do the same as we have done before, first we darken and then we blur until we can integrate the entire background with the shadows that we have put in. I am going to start drawing a few leaves in green, I am going to use a green pine plantation called Thus, an acid green and very important to work with greens is to use a blue color, blue will make the green intensify much more and we will be able to darken it, in principle I only go to how many spots I am going to place where they go the leaves are going to go, these stains that I'm making are only going to mark the place where the leaves are going to go but later we are going to define the painting much more, making each leaf have its own life, first I have marked some large leaves and then I will start marking small leaves, to mark the total volume of the space that both the leaves and the flowers will occupy, and then I will make the leaves that are more central and closer to the shady areas They will be darker, and the leaves that go around the vase will be lighter green because they are receiving much more light, I am changing the brush using a larger or smaller brush using Prince from different sizes and different shapes to get the different ones spots or different silhouettes of the leaves with a fine brush I start to make small branches to achieve those special volumes that this vase will have I will use the same colors as before but I will add white I will get all the leaves and each one of them has its own life, I begin to define the outline of the leaves and give them lights and shadow so that they are beautiful, because until now we only have I have some spots on canvas, the white will help the leaves have more volume, there are areas where they are lighter and I mix the lighter green with the white and there are areas where they are darker and I will do the same on the leaves on the right and on the left, so far I have worked the smaller leaves and now I am going to start working the larger leaves on the large leaves, especially the ones at the bottom of the vase, first I have given them lights and shadow to make the leaf have volume and when I have it ready, I use a very fine brush to mark the veins of the leaves and I am going to begin to join all those small spots of the leaves, so that the work of the leaves makes sense. The leaves are already finished and now I am going to use a titanium white and a violet color, to start making the flowers, with a brush of the number 12 in a round point I am going to mark each of the petals separately, these brush strokes will not be those of finitive since when we paint with acrylic, many times we are semitransparent and we cannot completely cover the green on the back of the leaves so later we are going to perfect all the flowers and each of the petals, I want to tell you if you like them my tutorials and you like to follow me and learn things with me, please SUBSCRIBE to the channel, it is important for me to have your support and see what you like about my work, giving me a like and above all subscribing to my channel I already have a lot of marked flowers in violet color and now I am going to start doing the same, but with the same warm yellow that I have used up to now, but I am going to add some touches in Violet and also some touch in white now that we have the flowers located, let's give volume to each of them we are going to repeat the brushstrokes, but now we are going to give light and shadow to each of the petals so that the flowers have life and movement, I will also I closed some flowers that have fallen on the table and now I am going to start using a much smaller brush to make tiny flowers and also make some small bouquets that protrude from the central contour of the flowers I already have all the flowers located and all with volume and they are beautiful, now what am I going to do?, mark the center of each of the flowers using green mixed with a little blue to get a very dark green we are also going to give volume to the central part of the flower by putting a green lighter on top and a little darker at the bottom let's define or fix a little background if we see that we need a flower some space to fill, it is time to use the darker green to put some leaves and Also to make the flower stems, some finite branches fall down the contours of the flower center, these round and suggestive shapes will give a very warm point to our painting. ra will improve even a little more flowers will mark them the outline using white and color that has the flower, in this case, for example'm doing a violet flower or reviewing violet flower, use a very fine brush I'll do small marks on each of the petals and I am going to separate the petals by shading and giving them light that is very important to make our painting look beautiful in the yellow flowers I am going to do the same I am going to use the same tones with which I have painted the flower to define lighter darker areas and also perfect the shape of the outer part of the whole flower with multi-charge paint or One Stroke of course we are not going to achieve this beautiful effect on the flowers, and now I'm going to give you a Trick to give it even more volume, using the toasted sienna color and a little bit of medium or spread, by the way I'm going to leave you all the colors I'm using below in the information box ation to give volume to these yellow flowers I am going to use the tan sienna color mixed with the medium and I am going to get a very transparent paint , with which I will be able to respect the color of the background of the flower and I will differentiate each one of the petals, the petal that is on another petal generates a shadow on the petal below and the central part of the flower, as they are darker than the outer part so with a fine brush I will define each of these areas To get the flower to have much more realism of course, the central part of the flower is vitally important, to make the flower perfect, we are going to make a lot of dots we are going to make the bottom part have a more color dark, in the middle a medium color and in the upper part a lighter color, I am using the toasted Sienna, the warm white yellow and I am going to make a lot of points until I get all of them to integrate with each other, We are not going to make the points look separately but all of them will achieve a mass of perfect volume to achieve that this central part has that roundness so characteristic of flowers and I will do the same in each and every one of the flowers so that it looks as magical as this one, look at how beautiful they are, now we are going to start shading because the flowers and leaves generate a shadow on the vase this is another important trick, how we can generate that shadow and not spoil it that we have painted previously, because by mixing the paint with medium like this we are going to make the painting semitransparent and generate a perfect shadow without spoiling the color that we have put in the bottom part, notice how this sheet is already separating from the vase and we have dithered got a lovely shade that will work with a very fine brush and we will do the same with the outline of all the leaves are on the vase I tot I am highly convinced that these tricks will be great for you to make your works have much more realism if so, if you like my work, you like what I am teaching you, do not forget to subscribe to my channel to give me your support so that I feel happy and continue to share all these ideas and tricks with all of you three flowers have fallen on the table and of course they also generate the corresponding shadow on the board, look at the result how beautiful it is, that vase is beautiful it has a volume spectacular, you can see the metal through the colors, the color of the flowers, the shadows they generate, all this makes the whole look magical we have reached the end of the tutorial, I hope you liked it a lot I liked it very much paint it and teach you all these tricks, put them into practice and surely you will manage to make some wonderful works of art, I can only tell you one thing: a very very strong little kiss and until the next tutorial l
