Chris Garver’s Hannya Tutorial | Tattoodo | Art Class

hi right now i'm going to show you guys how to draw something that i get asked a tattoo a lot which is a hanya mask um i've probably done about 100 of these and throughout the years i started to really you know understand them more and more you know at first i just kind of drew what i thought looked cool and uh if i look at it now i i don't think it looks that great but it's still something that i'm still developing but um definitely when you draw hanya there's certain planes that are very important so one thing i'll do is i'll try to determine like how big i'm going to do it first and what i'll do is i'll kind of do quick sketching i'll do like the figure out like where the forehead is going to be and then i give them sometimes you can do different size noses you can make them quite large and then i'll the eyes are a little bit close together so once i figure out like where the eyes and nose it are everything else kind of falls into place and you can readjust like the size of the head but i like to get a basic um dimension so ahanya is actually a female demon so they're they have like a little bit of a jealous worried look they're not always uh super they look angry but they're also sad they have a lot of grief so i kind of bring out the see here's the eye i bring out the forehead pretty far and then it goes back and then up so i like to kind of work out all the the planes and the angles then the around the eye goes the cheek and i have that i'll have that come out almost the same angle as the forehead here and then it tucks in behind the nose there that kind of developed the nostril shape here and then the the upper lip also i keep it on these same this same angle then i figure out what you know this thing right here is uh the philtrum that's what i learned that it's called but then i'll figure out where the upper lip is and then it's good to you know you don't always have to have everything line up like sometimes you want things to be not aligned but i'm going to show you this one with the alignment also hanya like their nose they have kind of a the cheek has a space between the nostril and the cheek usually there you won't see it on this side because this nostril will cover it that comes up you guys fallen with me here then i'm going to do this side of the eye you know you can make the eyes like big or small these are a little bit large and then there's like a little lid around the side there then the forehead kind of comes down i'm drawing this a little bit bigger than this would this is probably more like where the hairline will be then with the jaw so here's like the bottom of the cheek i bring the jaw out a little bit and then it comes back forward and like the bottom jaw is normally kind of has like an underbite so i usually do the the fang tooth between the nostril and the cheek and then i'll just do the front teeth here and then the molars then one last tooth in the back the bottom jaw comes down i'll kind of have a little bit curve up i'll go around curve up and then the lip will come up like this like i said it has like an under bite so this teeth these teeth will come out a little bit further she's pretty ugly so you don't have to worry about making her beautiful and i'll pop the tongue in there the other side of the tongue and figure out where the chin is going to be you can either make you know sometimes people make the chin kind of big some people make it kind of small i go back and forth sometimes i guess it depends on the client or how well it's going to fit and i'll follow this line with after i get the jaw on there and here's the ear i usually draw get the ear lobe on there whatever ear shape you decide to go with you know get the top of the head in there all right so i'll figure out this is like where the the middle is i'll try to put the horn somewhere in the middle between the ear and the top of the head and the other one would come out from behind yeah this one's a little bit closer to the middle always trying to make them look a little intense you know don't have to be too boring and uh i guess i'll make this one a mask so i'll put tassels on there i will usually have them you know they come out of the ear they come around the outside of the ear here and then you just kind of do some loops you can make these uh kind of wild if you want but i usually just make them kind of regular some people i've seen people do them where they're very um angular which can look cool but i'm just gonna do them round and the tassel part a lot of people get pretty fancy with these but i like to keep it regular i don't know why so i'll figure out like the which motion the tassel is going and then i kind of have it round out but i want to follow this curve and i kind of just do the the bumps it wraps around you know you can see it kind of this wraps around then i'll do the other side so there's like a little knot and you know say this is an arm you know you can like work out like different clouds or you know a lot of people do like maple leaves there's a lot of different things you can do i wouldn't really suggest doing them with any other flower than like chrysanthemums or maple leaves because that's kind of like uh you know they're symbols of uh death or fall so they are more suitable for ahanya i'll just kind of get the hair in there a little more i just do a couple rows of lines here i'm not going to do this one like as fancy or as simple as i can i'm just going to do it kind of like somewhere in the middle you know you can make the the rope you could either keep it solid or you can make it like rope where it has like the twisted part and you can alternate colors there's all sorts of things you can do to make it a little fancier or you can make it all the same color or no color if you're doing it black and gray i think in tattooing it's good to try to put as many like repetitive patterns as you can into your design and like kind of like the same shapes you know and movements because it just makes something uh more pleasing to the eye it gets a little bit of a rhythm that's why i think that i'm so drawn to uh traditional and japanese tattoos is because it has a lot of these uh rhythms in it it's also it's almost kind of like hypnotizing and it has like a decoration to it you know i always like to think of uh like a good friend of mine he's really good at explaining tattoos and he used to be a graduate student art teacher so he's like you really you have to wear a tattoo and when you think about tattooing as something that you're wearing you just kind of like imagine it as something that has to be decorative i mean not that there's you know you can tattoo anything and if you do a really good job it's going to look cool so but for me my personal favorite is something that has a little bit of a decorative quality then i'll kind of put in a little bit of shading just so to see see the shapes that i made you know at this stage you can also if something looks off it's easy to make the adjustment you know before you start doing any inking that's why i like to draw with a pencil because you can always um modify anything that looks off like i think i drew the jaw a little too thin i like pushed it back i moved the ear back a little bit you know no matter how many times you draw something you're not going to you're not necessarily going to draw it perfect without erasing every time so i think it's important to analyze your drawing see what kind of looks off and then fix it because whether you're just drawing it for fun or you're going to tattoo somebody the more precise you get it in the in the beginning the better it's going to look at the end you know so make all your mistakes when you're sketching not when you're doing the finished product you know there's nothing worse than you know starting a big project and then something about the design bothers you after you already have finished the outline and then you're pretty much stuck with it and if you're tattooing somebody they're good ones that are going to be stuck with it your mistake so you really really want to try to like really see what's wrong with stuff one good trick to do is to you know look at stuff in the mirror and then you can kind of see you look at it from a different perspective and you can kind of notice what's off i think that's like one of the hardest things to do is see what's wrong with what you're doing but not in like a way that you're bashing yourself but in a way that's going to help you improve you know you got to keep it fun or you're not going to want to keep doing it so once i get the shading in there i'm going to kind of check it out see if there's anything i'm i want to modify oh i forgot do some like little stringy hairs coming down to make her a little extra creepy usually just do the hair solid black right here so i'm going to ink just the middle part you know at the end of the line i like to press kind of hard i get like a pressure sensitive pen it's almost like a you know kind of like a brush pen just makes it more expressive that's what i try to do sometimes when i tattoo i actually do that too like i kind of try to control a line so that it can be a little bit lighter in some areas and then you can go darker in others it's just all about pressure and i know like on inkmaster i might lose because my line work isn't looking like it's made by a computer but i prefer it to be a little more lively than perfect you know it's better to have a personality than precision if you ask me oh i would definitely lose inkmaster my eyesight's starting to go my shading is getting choppier no that's actually one thing it's not the longer you tattoo the more you realize that you know every little millimeter of every tattoo isn't that important it's more of the overall picture because when you look at a tattoo that's like uh 20 30 years old something that's been lived in for a while you know those like really little minute things really don't matter oh sometimes people give them a little pointy head so so one thing i noticed that a lot of people do when they draw hanya is they make everything kind of flat like this whole like the whole face will come down this way and i like to really make sure that you have like these different like planes that come in and out and like almost think of it as like a three-dimensional object instead of just something that's very flat even though you know you might color it in very flat you still want the outline to suggest volume sometimes people would do uh different eyebrows but you know this one i'm not going to give her eyebrows she got pissed off and shaved him off [Music] all right i'm not going to ink in the the um tassels but you get the idea can you pull it back towards you just slightly for the overhead there you have it hanya hunya

Channel: Tattoodo

Views: 155,339

Keywords: tattooartist, tattoo artist, tattoo artists, tattoo, tattooed, tattoos, tattooing, tattooer, tattoo inspiration, tattoo styles, tattoo ideas, tattoo art, ink, good tattoo, tattoos for men, tattoos for women, best tattoo ideas, tattoo ideas for girls, tattoo styles for girls, tattoo styles for men, tattoodo, learntodraw, drawingtutorial, hannyatutorial, hannyadrawing, chrisgarver, tattoodoartclass

Id: 7B9Srj3qYZw

Length: 23min 55sec (1435 seconds)

Published: Thu Nov 18 2021