BUILDERS OF THE ANCIENT MYSTERIES - Full movie in English - (Documentary, Civilization, Archeology)

[Music] I've always asked myself a lot of questions foreign s were answered except for the important ones I spent the time daydreaming thinking about the world Easter Island the Pyramids of Giza Machu Picchu mythical places which have all made us dream at some point you might ask yourself questions lots of questions but asking the right ones truly is an art a Priceless art that everyone can afford this is how I found myself many years later looking into the past of our planet far very far back in time and what we discovered changed my vision of the past forever [Music] foreign [Music] [Music] [Music] foreign [Music] [Music] [Music] thank you foreign [Music] [Music] we did a lot of reading before investigating on-site many far-fetched contradictory confusing things which could easily convince those who know nothing about the subject that nothing interesting is to be found in the ruins of our ancient people yet the Perfection found in these ancient constructions defies modern reason I decided to surround myself with competent people who could enlighten me and avoid any Hasty deductions as the investigation progressed uncovering new elements along the way I saw the look in their eyes change and so did mine I had to set aside my prejudices what the French philosopher Descartes called wiping the Slate clean I had to remember the time when I looked at the world differently in a more simple way and this reassured me inspired me and gave me hope as New Perspectives are always brighter than what we can imagine [Music] let us start with one of the most well-known ancient sites on earth a minuscule Island Lost in the middle of the Pacific Ocean Rapa Nui Easter Island foreign [Music] the big trip it was Rapa Nui Easter Island is a speck of Earth in the middle of the Pacific Ocean located 3700 kilometers away from the coast of Chile and about 4 000 kilometers away from French Polynesia in a period of a hundred years the people from rapanui are believed to have sculpted about 1 000 volcanic stone giants the moai made from Stone quarried from a crater [Music] [Applause] finished these statues inserted at the bottom of the volcano were stood up through a great effort by the people some of them were erected on pedestals the owl set at various places on the island here are the main ones tongariki the largest moai formation to pitakura the navel of the world with the largest moai transported from the Quarry in the Bay of anakena where the moai are capped with their red pacao Thai where they have restored the white eyes of the moai vinapu the most ancient Arrow of the island according to archaeological studies [Music] and akivi the only formation where the moai look to the Sea and more specifically to the Equinox Sun let's quickly review the history of the island before getting to the important questions the extraordinary Saga of the rapanui People starts there in the anakena bay where King hotumatua who left Polynesia with his bravest Men first landed It is believed that they had built a prosperous society and the most accepted hypothesis is that the Rapa Nui collapsed following Clan Wars throughout the centuries while deforestation occurred because of the statutes however in the latest archaeological discoveries reality might have been quite different epidemics introduced by the Spanish Navigators at the end of the 18th century slave raids at the end of the 19th century almost exterminated the population we have to remember that the population here was reduced to 110 or 11 people at one point the loss of the Guardians of the rapanui culture who became forced laborers in the Peruvian mines and the Christian evangelization campaigns almost exterminated the culture of these people the rapanui may have originated from hivoa about 3 600 kilometers to the Northwest you don't embark on this kind of trip lightly you must think about food and especially water because a 30 to 50 day trip by boat implies a certain level of logistics there must be enough supplies for the trip back in case of failure when talking about the history of the arrival of the first known King of the first major Lord maybe we know that two pyros landed but we don't know how many is left it's hard to comprehend what such an expedition could entail you can eat fish but enough water needs to be provided for such a long trip you need to know ahead of time how many days at Sea there are before reaching land either hota mature first sent Scouts in various directions and by chance one of them discovered Easter Island or they left randomly and out of sheer luck they discovered this Speck of land in the Pacific Ocean alternatively they might have known the position of the island beforehand which raises the question as to how could they have known about it linguists cite the resemblance of the Rapa Nui language with the original Polynesian language the former would have in fact evolved during migrations this confirms the oral history of the rapanui they claim to have accomplished this trip straight from hivo Island if it's true that they all migrated from this place hiva the linguistic evidence suggests that Rapa Nui left that group of people first and came here of course they were all speaking the same language at that time it's difficult to reconstruct the true story of the rapanui people as it's been terribly damaged by multiple invasions recent archaeological studies go against the accepted idea of a nation of Warriors according to the American Anthropologist Carl lipo the obsidian blades long considered weapons may have actually been tools for sculpting and gardening noting their lack of appointed tip there are also no traces of fortresses on the island and then there are movies that show very little respect for the people of Rapa Nui after filming on the island an American production company just threw a concrete moai that was no longer useful out into the ocean but let's get technical the giant moai of the Rano raraku which measures 22 meters high and weighs about 250 tons is often shown but we seldom see the moai which was sculpted in the crater wall this complicated their future extraction you could think they were not sculpted to be extracted however since they are not visible at ground level why go to that much trouble [Music] these moai weigh between 40 and 60 tons and are located about 15 kilometers away from the Quarry some of the moai were capped with a picayo hats made of red volcanic tough extracted here at the site of punapal 12 kilometers from the Quarry over steep Terrain the papaya were transported hoisted up and set on top of the moai's heads sometimes at a height of 8 meters how very simple according to this information panel foreign maybe someone has a better explanation but no one has yet thought it would be useful or important to specify it here in fact no one really knows we may have a vague hypothesis regarding the transportation and we believe the moai might have been erected to protect the houses they were gazing at although the statues tend to look more to the skies than to the ground experiments have been set up on flat surfaces to simulate a transportation of a five-ton moai however it's impossible to confirm that the same process would have been possible with an 80-ton moai like this one ahu vinapu is different from other sites because of its massive architecture and it leads to some unsettling questions being the most ancient and still in place it demonstrates that this way of building was the most resilient therefore the safest it was the best advertisement for this technique true to the idea of linear progress by Homo sapiens you would expect the subsequent sites to be built in a similar fashion or even better and the problem is that actually all the ahu built after this one were never as large nor as precise in their assemblage and all ended up collapsing but not a hovenapu so the questions are amongst the builders at Rapa Nui who followed none of them noticed that the only viable technique was the one utilized at ahu vinabu and if they did why not reproduce this technique therefore either the secret of this structure is a unique case lost in history or the people of Rapa Nui had nothing to do with its construction their strong similarities in the style between ahu vinapu and the structures attributed to the Incas in Peru genetic analysis of the island chickens show there was contact between both places but we don't know in which direction destination Peru more specifically Cusco the old Inca Capital but like Rapa Nui was called the world's belly button either both tribes see themselves as the center of the world or maybe the Earth has numerous belly buttons if we said a picture of this wall and a picture of an Inca wall we would say this is an Inca wall here in the end he's it is everywhere like this so I would say it is more appropriate on our side to believe that indeed they came from the Andes the problem in Peru is that there's very little information about the time before the arrival of the Catholic Inquisition it means that you can be confused about the history of the buildings and their techniques there was an interruption in the process of History the Catholics at the time were not interested in getting knowledge with regards to the ancient techniques they just wanted to Prevail this church was built directly over the Inca temple of coricancha covering it entirely however the Catholic church was not alone in the use of this rather high-handed method as it was practiced Everywhere by conquerors and settlers like here this mosque over the Temple of Luxor in Egypt or again the Temple of Jupiter in balbach and Lebanon where Romans preferred to build on top of existing foundations which is understandable as each block weighs over 1 000 tons here the church sought to destroy the archives of these people until everyone accepted the popular image of the barbaric and bloodthirsty Incas engaging in human sacrifice it's very sad to see how the immense knowledge of these very ancient people were discarded knowledge that we are just beginning to ReDiscover especially in the field of medicine and in politics as well the priority was to give the opportunity for everybody to fit in and because they did not succeed at integrating all the people at one point they separated from the time new Christians arrived the people who did not succeed in fitting in became allies with the Christians and this is the reason why the Empire weakened and in the end it's the fall it was important to avoid any further Rebellion for that they had a radical option it was to kill the leaders the Chiefs the sages then it would be easier to control the people you kill the leaders spreading confusion amongst the people and the Rebellion is stopped the excuse to execute them to kill them was that it serves them right this method is as old as the world itself well actually maybe not 45 centuries before the arrival of the Europeans life was quite different on the Pacific coast of Peru civilization has been there for a very long time the oldest American city to date Carol suppai Bears witness to this [Music] this vast city was remarkably organized with streets squares housing amphitheaters and temples in the shape of pyramids it dates back 5 000 years according to the egyptologist dating this gigantic mother city was contemporary to the Pyramids of Giza archaeological studies show that Corral was destroyed about 3 800 years ago following earthquakes or other climate-related catastrophes the city is kind of a problem for those who studied it as no fortresses or weapons were ever found and so they have to admit the incredible possibility that this city lived in peace for over a thousand years it seems improbable to modern humans that people could live in peace for vast periods of time when they discover sites like corral the main difficulty for archaeologists is the state it's in which renders the Reconstruction of daily life challenging we can find small blocks of stone joined together by Clay cement the same technique as we might find at a later stage at Machu Picchu or at oyon Tai Tambo which will later evolve towards greater precision [Music] they may have started to build Corral with small stones and it would have been completed with a refined technique as we can see on the most recent parts of the Machu Picchu site this would be the normal evolution of the technique throughout time discovered in 1911 at a time where in Europe Incas were still believed to be Savages this city was unknown to the Spanish during the time of their occupation of Peru it shows impressive technical expertise especially in the management of water and its distribution system its Stone assemblages are harmoniously integrated into the environment however aside from the incredible feat of bringing the materials to the site it does not present any particular difficulty but what surprised us was at the heart of the site built in a totally different style huge andesite blocks of very hard Stone had been assembled with Precision without any seal Stone against Stone if this Stone comes from a quarry from the other side of the valley then you really wonder how could they have transported these heavy blocks on such a steep slope and why such a different style one must not confuse the function of certain structures and spaces like for example the temples and palaces which have always been sophisticated buildings almost perfect well-assembled masonry in contrast with the more functional structures like for example a house you might not use the same techniques for buildings intended for rituals as for buildings intended for housing which I can understand but then why are some of the walls mixed this could be due to repairs but then the question would be why was it not repaired identically you can clearly see that the Big Blocks are more ancient compared to the smaller blocks why quite simply the small blocks are set on top of the big ones similarly to Easter Island the builders have assembled complex polygonal shapes which do not seem to present any kind of difficulty let's draw some comparisons which make no sense according to archeology as the sites we're going to compare are separated by thousands of years and kilometers here you can see an assemblage from an angle of a wall in Machu Picchu and another one from the Temple of the valley in Giza Egypt [Music] you might notice the same type of General symmetry in the shape like here still at the Temple of the valley in Egypt and there at the heart of Machu Picchu at Machu Picchu and in the temple of the valley you could explain these parallels by the fact that confronted with the same problem human beings will all find the same solution simply you don't randomly assemble blocks and that when needed they were cut to create these patterns which gives us just an idea of the level of Mastery required how's this for logic you start by assembling extremely resistant constructions with massive stones and then as time passes you build less and less resistance structures with the stones the size of bricks long-lived progress these Stones disjointed by one or more earthquakes allow us to understand two things first of all the internal wall surfaces fit together precisely the face of the stone on the left is slightly twisted and the block on the right exactly mirrors this twist do you realize the difficulty of achieving this this complex work does not seem to be useful in any way if these walls are an evolution of the techniques in corral a millennium earlier [Music] then where does this style with the enormous stones come from where is the logic in all of this [Music] it's even more obvious it's a woman The Fortress with its three enclosures overhanging the city of Cusco the ancient capital of the Incas three levels made of blocks weighing a few dozen tons assembled with very great Precision over more than 400 meters long the angled Stones weigh over 200 tons and the others up to 60 tons what is the purpose of this Fortress military speaking we find numerous weak points if this was simply a way to appear strong they might have gone a bit too far [Music] at the site the guides are happy to tell us that the whole site represents the head of a puma and that this Fortress represents its teeth the rest being made of the outer walls of the ancient Cusco you might be able to see this as an eye it's a beautiful story but how confident can we be that it is one what we notice is that the builders must have been able to transport hoist and assemble Stones weighing dozens of tons but when repairing the stones that were damaged or disappeared this is what they must have done at oontai Tambo still in Peru we find the same thing walls made of small stones classically of the Inca era and these here the first traces of settlements date back to around 600 BCE if these were the same Builders then they lost their know-how along the way because for some unknown reason they were unable to complete them or repair them identically the style the quality of the stone and the difficulty of the work are in no way the same as the repairs are to be found on the upper layers of the walls it means the stones underneath are older the builders here again started by assembling gigantic stones with very great precision and to finish off with smaller ones assembled with less precision at Oyen taitambo our eyes were drawn to Black Stones carved in a certain way our guide said that there was a link between this side and the site of Tijuana Cove in Bolivia that similar techniques had been utilized from what was said the sites were not dated from the same time but then again this was rather unclear we decided to head off to tijuanaka through the Andes on the other side of the famous Titicaca Lake between 800 and 1100 kiwanaco administered a very large territory [Music] what makes the plateau interesting is the following a vast enclosure made of walls and pillars an entryway leading to a door except none of this is authentic [Music] it is in fact a reconstruction based on the vision of an archaeologist here is the site pictured before its Restoration in 1892. foreign no one tells you anything there's not even a sign telling you when it was actually restored you could believe this was an authentic site but curiously this creative archaeologist did not find it useful to look at the site of Pumapunku located about one kilometer from Tijuana its Builders are said to be pre-inker therefore before the Incas and they would have built all this foreign [Music] but what happened here why was the site destroyed a dispute between shamans is mentioned if this was actually the reason then it's probably best not to anger a shaman or they'll smash you like a dozen Tom block we asked Eric Gontier geologist to come with us as we wanted his advice on the technical process so this you can get with some small shards of rather flat and slightly abrasive rocks and then it's just a question of time meaning that you will need to get in and come out you see coming and going like this but it's an enormous amount of work Eric told us that in India stonecutters are still using the same or almost the same methods as the one used thousands of years ago except the use of hardened steel too soft so it was replaced by carborundum or other hard alloy tips when using hardened steel tools the Stone Cutters usually hit at most five or six times before sending them again to the quench Eric insisted on the fact do not underestimate human capabilities because as soon as you question the academic version others will assume that you believe it was built by aliens that's what he meant by not underestimating human capabilities no this was handmade some people automatically use the Extraterrestrial solution to resolve the issue of the tools but to tell you the truth although we cannot explain the methods used we don't feel that this was something made by Ancient Aliens with a copper lamella then you go over again and again there are technical gestures you cross then start again and so on we advise Eric to wait a bit before making a decision foreign the next day he will use our roughness measuring device a tool that measures the surface flatness thanks to a minuscule Diamond tip maneuvered by a computerized arm we will try and find the spot that has been knowingly Polished by hand acknowledging the fact that there are natural little grooves which are gas bubbles that remain trapped in the endocyte which is here the first measurements on randomly selected Stones provide interesting results then as we start to choose the stones the numbers get more accurate 76 5 16. oh my goodness we then returned to the stone we were looking at this morning Eric places the roughness measuring device over it look here amazing we're curious to know the result as the block appears to be particularly smooth a graph that appears is very flat 31653 wow wow of variance between the highest and the lowest points on the surface one micron equals 0.001 millimeter and you need 1 000 microns to make one millimeter 30 microns is 0.03 millimeters this surface is ten times smoother than modern flat concrete already spotted by Christopher Dunn an aviation engineer who based his career on Precision in the hotel room we cleared off a table that had a glass table top the glass table top was within seven thousandths of an inch of being flat going out to Pumapunku and taking that instrument is within half a thousandth of an inch surfaces deteriorate over time to give you an idea here is the roughness of everyday materials they reached an absolutely exceptional level of polishing nowadays we would only get this with the use of powerful machines including lasers and rotating mechanical equipment are very very high precision remember he was talking about copper and abrasion you can be sure he is carefully choosing his words another thing we observe here is the place where these arseneca and black Basalt blocks are coming from black Basalt comes from 300 kilometers away in Tijuana 300 kilometers away transporting rocks weighing a few tons across the Andes and over such a distance does not seem to surprise him that much nothing will ever replace an actual visit although sometimes from a distance we can discover certain things you might notice this pattern on a slab a researcher told us this pattern was also present at another enigmatic site in Peru over 700 kilometers away as the crow flies Nazca on this Darren Plateau immense lines and representations of animals have been drawn on the ground by the people of Nazca dating back around 2 300 years except for a few stylized representations of animals you can observe mainly straight lines some very long the whole site covers thousands of square kilometers we often hear about the tracks of Nazca and some in the past have called these Landing strips for extraterrestrials how could you seriously consider that people capable of flying across the universe might need a landing strip drawn on the ground [Music] this sounds as stupid as the hypothesis stating that the patterns were designed to ask the gods for water rare in this area you might have had better things to do rather than wasting your time in a Barren area where nothing grows here again we know nothing although these figures are gigantic their creation might have been difficult but far from impossible what interests us is the why we are often shown animal drawings but the lines are far more impressive and both curiously overlap in some places as if we're looking at two different eras and two different styles on one hand we have animal drawings and representations of living beings though none of them lived in this region on the other we find abstract and immense geometrical lines this is inconsistent with the people supposed to have possessed only primitive technology similarly to the h-shaped blocks of Pumapunku from the people of rapanui to the Inca Empire partly because of the foreign invasions we do not know for certain the why and how of all these constructions but we can see they have usually been executed in inaccessible areas in the desert on top of Hills or on very steep Mountain sites each time there seems to be at least two different eras and two different styles and the most ancient era appears to have a taste for abstract geometric patterns [Music] Peru is a vast and magnificent land like its people [Applause] [Music] it is said there are over 1 200 sites listed and you would need a lot of time in order to see them all sometimes we just trust our intuition and let ourselves be guided by the people we meet this is how we discovered the next site after a drive of about 30 kilometers of dirt track this site is difficult to access [Music] a low stone wall covers the back wall [Music] another stone wall outside leads us to believe that we're in some kind of Sheepfold up until now nothing abnormal except for the fact for some unknown reason the other sidewall has been cut [Music] and as we turned around we discovered that the entry of this cave the stones have been entirely sculpted [Music] [Applause] here again the feeling that you are facing two different eras in the building of the structure is strong this feeling is confirmed by these outer structures in the same style as the Sheepfold a later imitation the work is clean and the cutouts are beautiful but wait until you see the next site located far far away from Peru in India in the baihar region [Music] [Applause] we find seven caves entirely excavated from massive Granite blocks spread across two main sites four at barabar and three at nagajuni amongst them two remain unfinished they are considered to be the oldest caves in India and they may have been built about 2 300 years ago under the reign of King Ashoka according to the scriptures carved at the entrance of certain caves there are many other caves in India but these are unique because of their Precision you can observe a reoccurring theme that the more ancient the structure the more modern it looks they were dug into granite rocks a material harder than hardened steel here the surfaces appear to be cement but that's an optical illusion due to the extreme transparency of the granite crystal when polished to the extreme in reality they are like this everywhere we asked the late Jean Louis Boston an experienced stonecutter who has been working with granite for over 40 years without any modern tools we didn't even have the time to let him know these images have been taken with a highly sensitive camera that allows us to film in the dark as if in full light in fact with a normal camera this is what we got here they're extremely accurate extremely precise it means they had powerful lights because to work in this type of area you would need more than just torches also with torches you would suffocate to get people to work in such an environment they would need to be able to breathe the dust coming from the stone itself is considerable an environment like this one especially when you work with pigs the granite produces sand shards this is a problem of granulomatory but more importantly it produces a lot of dust silica that leads to silicosis I would have liked to know how they ventilated the work site to achieve something as perfect as this already the production of dust when we are outside covers Us entirely we inhale it if we don't wear a mask and we drink a lot and that's when we're outside so on the inside if you add up the smoke from the Torches it becomes quickly unbreathable and unworkable yeah the tribological report meaning the methods of abrasion used to produce this rock is a lot harder to achieve on this Granite than on the rocks of Pumapunku foreign this incredible sensation of vitrification is rather surprising it's absolutely incredible it seems to be laser made I mean no it's not laser made this is handmade but you would need thousands and thousands of hours to obtain a Polish like this one fail man a perfect gloss obtained by a sanding of the surface which is very hard to get with the classical sanding with a stone and water that we can get with an abrasive very very fine sand there is a shine equivalent to that obtained with our modern means 300 300 years old this dating relies upon the inscriptions carved at the entrance of three of them however when looking at these inscriptions in detail we can see the work is far from being as clean as inside the caves in the most complex cave the granite has literally become flaky in some parts suggesting that these caves may be older than we think in this massive Stone Hill two caves have been carved on one side the one on the left is fully completed inside and the first one according to archeology the one on the right displays a curved porch Buddhist style corresponding to the era of King Ashoka but the inside is unfinished the walls are polished but the ceiling and the ground are still raw we don't understand why the completed cave is not the one with the porch obviously special as it's the only cave to have one but why was it not completed when looking at the porch more closely we can see the work is easy on the eye so to speak but as beautiful as it may look it cannot be compared to the work accomplished inside the walls of the cave you stand slightly to the side you can see the holes and the deformations here there are no sharp edges it's completely damaged this is second class work here the relief goes back up and then it goes down again downward there are no finished edges everything is rowed inside so here we are facing a much later work we cannot associate this work with what has been done previously inside the rooms this porch is off-center not vertical it is nothing compared to the Precision and the construction of the caves foreign to some archaeologists this uncompleted cave could explain in detail how the other caves could have been constructed it's hard when looking at this work to imagine it might look like this [Music] work is very badly initiated could not result in anything looking at the state it is in at this stage even more impossible as some cuts on the ceiling go too deep when you have a perfectly Polished plane as it is the case here it is out of the question to exceed the surface and to produce dents lower than the surface in which case they would have to do it all over again but when resuming the work here there is a splinter which broke big Splinter that is gone leaving a hole that is just irredeemable this cave seems to show a failed attempt may be done on a cave that was discovered unfinished [Music] a king would not take over a cave already completed but would more likely finish a cave with some modifications which would explain the difference in the levels on the ground and maybe his men did not succeed of course this is pure speculation the contrast between the Polish wall and the rough ceiling seems to confirm the idea of a reuse we would need to further study this room in order to comprehend fully the chronology in the work and confirm or set aside this hypothesis we measured the surfaces with the roughness measuring device foreign [Music] but otherwise to the touch and the naked eye it's perfectly flat there is an average difference a few microns these surfaces are almost as smooth as glass [Music] the Precision tolerance varies between two to five millimeters The Taking of measurements with a rangefinder is difficult because the walls are slightly tilted what tools were used to accomplish such an exact work some defects in the polishing do confirm that these caves were handmade which makes the need for accuracy even more pronounced handmade could mean the use of power tools Guided by hat instead of chisels and hammers but why such Precision what's the point a gap of a few centimeters would be difficult to see with the naked eye and in full light we were leaving barabar with the feeling that these caves had more to offer however we needed more precise equipment from Easter Island to India via Peru we can see two very different styles the work that is the most ancient is also the largest and most precise it is the case on Easter Island at oyan Tai Tambo at Machu Picchu at nopa Iglesia and in Egypt but why this need for accuracy we were leaving Egypt with Eric who was becoming more and more embarrassed by all of our discoveries few scientists agree to appear in these type of documentaries afraid to look like raving lunatics in the eyes of their colleagues but like us he wanted to understand neither of us had any hypothesis [Music] foreign [Music] the granite used to build the boxes comes from one of the quarries in aswara about 900 kilometers away from Sakara located one kilometer away from the Nile River from which the 22 boxes had to be transported for making this is a number of years I don't know maybe four or five six years at least to achieve this however despite it being extraordinary work surfaces are a little less precise than the ones observed at barabar what we can tell from the reflection is that the Polish is absolutely amazing on the other hand unlike a bar bar we do not get this perfect flatness of the cave how did these 22 boxes and their Lids get moved into such a small space and why yet again the need for such accuracy for the box is destined to hold Bulls even if these Bulls were sacred how did they work Underground how did they get enough light to accomplish such polishing what were their tools how did they breathe have egyptologists looked into these questions in their Publications if this is the case we are Keen to know the answers because these are the type of tools shown when talking about the stone cutting techniques of ancient Egypt when we look into ancient Egypt and we follow their civilization over a 3000 year period and we are told that they use very simple tools at the beginning of their civilization such as copper chisels modern Malla Stone chisel Stone hammers and then you follow the progress of that Civilization over 3000 years and it ends up they're still using the same tools that they started with that doesn't make sense Christopher Dunn offers his opinion as an engineer no matter what the techniques are the thought process stays rigorously the same throughout the ages especially regarding the complex structures of ancient Egypt tools had to evolve we go from a single Stone to a stone attached to a handle then little by little the tool is perfected however despite the fact that masterpieces were created for some unknown reason it might not have happened that way [Music] foreign [Music] [Music] particularly when you look at what they created because the tools that are found in the archaeological record are not capable of creating the artifacts from that period convinced for over 20 years that the Egyptians are indeed the creators of these structures Christopher Dunn has been tracking down their tools clearly more advanced when looking at their constructions which he explains in detail in his work [Music] each Stone of the outer wall weighs between 200 and 400 tons it is completely surreal so much so that nobody has tried to discover how they could have done this [Music] these stones have been covered by Granite Paving from as one as usual [Music] we noticed that these massive Stones all have different shapes fitting together accurately we have never read or heard of any serious explanation regarding the building of this Temple as if piling up Stones weighing 200 to 400 tons was just Child's Play for some the builders could have used ramps to raise them others mention hoists get some information in regards to the difficulty of transporting such heavy loads and you will understand the Enigma is far from being solved sight switch according to our history have nothing in common except for the fact that they've been created by people who are barely clothed the valley Temple is located on the Giza Plateau around 100 meters away from the largest of all pyramids on the 30th parallel about 4 500 years ago the Great Pyramid of Giza would have been built if we go by the dating of egyptology no text mentions its construction nor the construction of the median pyramid also known as the coffrey pyramid nor the small one also known as the macarenus pyramid in fact this is not quite right fragments of Papyrus dated from the end of the fourth Dynasty discovered in 2013. do mention the transport of Limestone blocks from Torah those used for the cladding of the Great Pyramid but nothing else no reference to the more than 2 000 blocks of limestone that came from other quarries over 2 million Limestone blocks 230 meters on its side 140 meters in height its construction remains a mystery to this day the site of Giza is built over a limestone Plateau originally made of flattened Hills as we can see on the Midian pyramid for the Great Pyramid the builders kept part of the Hill some kind of giant pivot about six meters high around which it was built first they paved about 60 000 square meters of surface minus the surface of the pivot which allowed them to save a lot of blocks for the construction but these Paving blocks Weighing on average one and a half tons are not all identical and have complex shapes which makes joining them even more complicated this is even more complex as the ground has been carved in order to insert these blocks it is a giant puzzle in 3D once this was completed they built the base of the pyramid which is almost flat as noted by the egyptologist mark laner he detected a difference of only a few centimeters from one end to the other which spreads over 230 meters in length we do wonder about the means to obtain such Precision with the basic tools commonly attributed to the Egyptians that is if they were indeed the Builders of this site then they piled up over 2 million Limestone blocks in successive rounds up to the top there again we can see the height of the rounds are not all the same and the blocks all have different shapes meaning that they did not place the blocks randomly [Music] the work was done with such Precision that the edges of the pyramid remain unbroken up to the top today the blocks of the cladding made from Limestone from Torah are missing rocks may have fallen down following a violent earthquake in the 14th century cladding we can still see at the top of the Midian pyramid cladding that rendered the Great Pyramid entirely smooth from the outside [Music] it was oriented with a stupefying Precision to True North with a variation of only a 500th of a degree Precision that would take us thousands of years to achieve again even with our modern equipment the first problem was to establish guidelines on the ground with such precision and the second to raise the 2 million block while maintaining this precision how did they do it no one knows [Music] the base of the Great Pyramid is not a perfect square but is slightly octagonal this indentation is visible in these pictures as well as on satellite images for unknown reasons the small pyramid also has this Oddity but not the median pyramid on top of managing to raise each round of blocks of various sizes they also had to deal with this indentation right up to the top considerably complicating the construction the Great Pyramid was totally smooth up to the point that it was made impossible to see the entryway on the North Face how can we confirm this because if this was not the case in the 9th century the men of the Khalif Alma Moon would not have dug a long tunnel within the Great Pyramid only a few meters below the actual entryway this confirms that still at the time no entryway was visible either they were well informed or they got really lucky as the tunnel was dug on the correct side of the pyramid and precisely reached the junction of the ascending and descending hallways we notice in this hallway that all the inside layers of blocks are set up together so accurately it feels like it could be one stone according to Professor Andre poshon mathematician physician and teacher at Cairo High School in the 30s this indentation would have allowed for what he called the lightning phenomenon precisely indicating the equinoxes as seen in this aerial picture by the Royal Air Force this led him to photograph this phenomenon on the 21st of March 1934 using infrared cameras the height of Technology at the time in order to show the temperature differences on the south face here in these three photographs taken 15 seconds apart thanks to this indentation when the Sun reaches The Ridge at the time of the Equinox it first lights up half of the South face for a few seconds dividing it into two equal parts it then goes on to illuminate the whole of it leading to what Professor prosha baptized the lightning for some posha is mistaken as according to them the cladding of the Great Pyramid did not have any indentation to confirm this they are looking at the few cladding blocks still visible on the North Face of the Great Pyramid but look again these blocks are not the original ones you can see them here photographed by the Morton Brothers despite some damage these blocks are in excellent condition when compared to the blocks behind them which have not been exposed to the air since the 14th century here you can see them a century later quite eroded [Music] why would these Builders have considerably complicated their work by designing indented sides from blocks of various sizes and after that to add cladding blocks to fill this indentation should Professor potion be right imagine the complexity of both the design and the execution here let's move to the internal structure considered by many to be a complicated design in itself it's made up of two hallways the descending hallway crosses the foundation to then plummet into the Limestone Plateau oriented at 26 degrees 18 minutes remember this number leading to The Unfinished underground chamber the ascending hallway leads to the median chamber and then to the high chamber crossing the great Gallery it also has a gradient of 26 degrees 18 minutes this internal structure defies all logic we are moving from a one meter by one meter hallway to a room 8.5 meters high to over 50 meters in length whose purpose if any remains totally unknown the median chamber is entirely built of limestone it has a Chevron ceiling and a curiously off-center niche and finally the high chamber this chamber is made exclusively of granite it's the only place in the pyramid where they are found Granite from Aswan located 900 kilometers away from Giza these slabs weigh between 12 and 70 tons they were extracted here and may have been transported up the Nile River and raised 40 meters on the Giza plateau and then another 50 meters in the pyramid to be precisely configured to guarantee this perfect horizontal and vertical line just this in itself defies all reason they needed to build the king's chamber at the same time as constructing the pyramid itself why the sarcophagus for example is too big to fit through the tunnel therefore it needed to be placed inside prior to erecting the sidewalls [Music] but let's talk about egyptology and what that has to teach us they would have had to have employed about 15 000 men over a 20-year period to build the Great Pyramid we know nothing of the tools and we can at best speculate about the methods we don't know anything about the complex management of the building site what did they eat where did they sleep how did they heal them if necessary since the workers lacked gloves or any kind of Footwear this great Endeavor was reportedly undertaken to deliver a cenotaph for King kiops when he died meaning it was utilized during a ceremony allowing the soul of the king to rise towards the heavens once the ritual was accomplished the pyramid would be hermetically sealed and the mummy would be transported elsewhere there is no inscription anywhere no gigantic statue no signature to this day the only thing left from this megalomaniac King is a seven centimeter statue and the Very questionable testimony of Herodotus written more than two thousand years later for a long time this was the only basis for the pyramid Theory no matter what 20 or even 30 years to build Great Pyramid appears to be totally impossible for example here is the entry to the Temple of Karnak that measures about 110 meters in length 40 meters in height and 15 meters in width it would have taken 17 years to build 10 years for the foundation and seven years for the rest of the building and it would have been erected a lot later than the Great Pyramid but let's go back to Pumapunku as I've not told you everything about this site it was during an interview that one of the members of our team had the idea to measure the h-shaped block the Gap is exactly 22 centimeters on another block it is 21.9 centimeters or one millimeter difference scientifically I would need a number of measurements to be sure we are more or less right 21.9 centimeters on a third one again one millimeter difference in the middle of the site are two h-shaped blocks in excellent condition on the back of the blocks you can see a pattern in the shape of a cross we decided to go and measure so 30 centimeters and the other exactly one meter I'm not making any mathematical calculations I'm just observing the averages of these measurements they are extremely close leading us to believe they worked here with some mechanical device but it seems that at first glance we could say it was handmade but there is such a Precision that is literally Troublesome we have 60 centimeters we also found a one meter block we are facing an extremely accurate Decimal System this means we are not dealing with Randomness we could even say that the blocks have been prefabricated meaning that a template was used and all the blocks were built from it the h-shaped blocks are one meter high the crosses are 30 centimeters in width this Gap here 22 centimeters we are in the metric system now the meter this is extraordinary exactly one meter this can't be coincidental this is a fact and all those this unit logically cannot exist because we would need to wait for Napoleon to define the true meter mathematically and scientifically here I just don't know what to say I told you Eric was a brave man the meter in a pre-inker site is not very easy to integrate into the accepted chronology but why is this so amazing because first of all the meter is based on the measurements of the earth so we cannot Define it without having measured the Earth itself and secondly because the Earth was measured and the meter created in 1795 so unless you strongly believe in coincidences logically we shouldn't find it used before this date and it's even more curious to find it on blocks with such a modern looking design this must have been popular because it was identically reproduced at an altitude of 4 000 meters in the middle of nowhere measured in meters we measured three h-shaped blocks as the others were either too deteriorated or unreachable they were more readily available in 1892 when they were also measured using the metric system so here's the problem because the meter is connected to the measurement of the earth if pre-inker people built this site they either did it by chance they could measure the Earth or this knowledge was given to them whether it was deliberate or not this meter is found elsewhere let's go back to Egypt this inscription would have been carved at the entrance of the Plato Academy but it might as well have been carved at the entrance of the Great Pyramid Egyptians were taking measurements in qubits and the original dimensions of the Great Pyramid including its cladding are 440 cubits at the base and 280 cubits in height in 1859 the Englishman John Taylor noticed that this Dimension here divided by this one would give pi egyptologists certify that the Egyptians only had a very basic knowledge of mathematics and they did not know about Pi nor about the golden ratio the high chamber however is built on a double square which leads us to the golden ratio geometry maths isn't everyone's strong point but stay with us first of all let's quickly introduce the golden ratio for those of you who do not know the Italian Leonardo Pisano publicized in the 13th century the Fibonacci sequence where each number divided by the previous one results in a number that progressively approaches 1.618 it is a number and more precisely a ratio between two numbers that is endless just like Pi but with amazing mathematical properties but no need to remember all that all you need to understand is the logic since it's a ratio system we can use its variations even its square root which is equal to 1.272 it's been called The Divine proportion because we can observe it statistically on average just about everywhere around us it's in the angles of minerals in Plants through the geometry of their leaves the distribution of their seeds amongst animal and man and art just like Da Vinci showed us building when using the geometry of the golden ratio means attempting to imitate nature but put these numbers to one side we'll come back to them in order to take measurements you need a reference the meter or the yard for example in Egypt they use the qubit which they say varied in size but in the Great Pyramid its value can be obtained with great certainty since the high chamber is made with precisely assembled granite the value obtained through the measurements of this room varies between 0.5235 and 0.5236 or 52 centimeters three millimeters and five or six tenths of a millimeter it is the Royal Cubit used in the Great Pyramid but then although these Builders didn't know about the meter their Cubit by some miracle is connected to it it can be obtained easily through geometry this Dimension is one no unit just one the length of the circle is this Dimension times pi so here we have Pi we divide the circle into six parts each part equals 0.5236 and what we have left equals 2.618 which is the golden ratio squared these three numbers are connected by this circle which has a diameter of one we went to talk to a man who's been working with ancient measurements for decades the famous qubit measuring 52.36 If I multiply it by 6 I find 3.1416 so I have a direct link to calculations to Geometry the foot is 32.36 so if I divide this by two it equals 16.18 I have 1.618 and the golden ratio if I want to measure this circle I will need a measuring unit let's take the yard so this Dimension equals one yard and this one here 0.5236 yards it does not correspond to anything in particular but if we choose the meter then this Dimension equals 0.5236 meters which is the value of the royal Cuba of the Great Pyramid this can only be sheer luck as the meter was adopted in 1795. after the Earth was measured now let's take the measurements of the Great Pyramid in meters thanks to its proportion if we divide this by that whichever measuring unit we choose to use the result will be Pi if we choose the meter this Dimension divided by this one equals Pi but this Dimension minus this one equals pi times a hundred which only works with the meter same dimensions a division and a subtraction in regard to the king's chamber out of all the choices of shape they chose by chance a double square using geometry they were not supposed to know about the geometry of the golden ratio to build it out of all possible choices in dimension the builders chose 10 by 20 qubits this Dimension here is pi times 10 meters this is only possible in meters this Dimension here plus 2 meters 618 equals this Dimension plus 2 meters 618 equals this Dimension plus 2 meters 618 this Dimension this can only happen because the room measures 10 by 20 cubits if it had been 9 times 18 or 11 times 22 we would have the golden ratio and Pi in proportion but not in meters all of this makes no sense the meter was set in 1795. something's not right need a break in a book on the golden ratio we learn that in the Middle Ages the Builders of the churches and Cathedrals also use the qubit which belongs to a measuring system called the queen everyone knew in the Middle Ages that one foot contained 12 inches one inch contained 12 lines we have the measure of the span and then the measure of the palm and after that the hand which will give the Queen the sequence of five units was organized for centuries all the way up to the Renaissance in a golden way which means in its proportion with the golden ratio we see how it's arranged around the Pentagon foreign by studying ancient units of measurement and especially ancient buildings I realized that of course we have variable systems of measurements depending on the regions in the era but the one we find across various regions is the Cubit here measuring 52.36 amongst all these different qubits in the Middle Ages one in particular the Royal Cubit carries the same value as the qubit of the Great Pyramid but where does this medieval qubit come from it is the same as the one using on the frost and in the central region as power expanded it began to dominate the territory little by little and within the French crowd we would have Royal Master Builders traveling everywhere it means that this Cubit was sanctioned sanctioned by royalty more than 3 500 years after the building of the Great Pyramid who just by chance ran into the same unit of measurement If I subtract 32.36 from 52.36 is an observation I find this span small like this that represents when I read it today 20 centimeters exactly 20 centimeters which is surprising since the span was widely established prior to the meter by the way how was the meter established it was in 1795. in relation to the meridenial circumference of our planet the circle that goes around the earth via the pole it was decided that this circle would be divided into 40 million parts or 40 million meters which then gave us the length of the meter as we know it today but instead of 40 million if the circle had been divided into 50 million Parts the meter would have been shortened by about 20 centimeters but why was it divided into 40 million Parts why not 36 million which would have been logical since we divide a circle into 360 degrees turns out this choice of 40 million has surprising consequences but before we discuss that let's talk with Frenchman kantolipla who wanted to statistically verify the presence of the meter the dimensions of the front door's widths consisted of whole numbers in meters or doors of one meter in width on monuments from the 12th century and with such frequency I decided it could not be just by chance because it can happen on a very large number of buildings we may find standard units of measurement also in castles like the castle of chamber where it is extremely obvious the doors in fact to go from one Tower to the other are one meter wide or 90 centimeters wide it is very troubling since it is very accurate the difference is 1.00 according to the laser in a church in Santa in my region I saw a fresco embedded into a wall and this little Fresco was one meter wide below it the stone also embedded was one cubit wide obviously some will say that these medieval Builders were not thinking in meters but spans and that we should not read one meter but five spans maybe when we put all these facts back in order we realize what history is usually asking us to believe the fact that the Builders of the Great Pyramid may have by chance and without knowing it discovered a value of a qubit connected with pi the golden ratio and later the meter that in the Middle Ages medieval Builders accidentally may have implemented the same Royal Cuba as the Builders of the Great Pyramid centuries later by chance someone decided to divide the circumference of the earth into 40 million Parts which would have given still by chance a meter equal to five spans and a royal Cubit equal to pi divided by 6 and when we chose the meter nobody realized that five spans equaled precisely one meter by chance I don't know about you but for us it's not adding up would it not be more rational to say that the person who decided to divide the circumference of the earth into 40 million Parts actually knew what he was doing and that as surprising as it may sound it was a discreet and multi-millennial transmission of information because what we also see is that the choice to divide the circumference of the earth into 40 million parts means that the diameter of our planet almost equals the square root of the golden ratio [Music] in any case based on facts the Royal Cubit Pi the golden ratio and the meter are all connected you can check this for yourself and believe what you want but be careful because what we believe influences what we see at this site which is at least 4 500 years old you can find these Alabaster bowls and this second one it's a bit different [Music] we are told these balls were used during sacrifices to collect the blood of the victims they look more like filling holes rather than evacuation holes since they are raised but what for don't you think these objects look like they have a more technical function rather than simply a religious or ritualistic one [Music] thank you the schistisk with a diameter of about 60 centimeters was discovered in 1937 in the Tomb of Prince Sabu who lived more than 5 000 years ago we can tell this object was special to him because he decided to be buried with it however 80 years after its Discovery we still have no idea what its use may have been so it was just put in the category of religious or decorative objects where we put all the artifacts we don't understand foreign looking at the Precision of this shape we feel there's more to it it's Central Hub seems like it was intended to rotate but there is no proof it had a technical function on the other hand there is absolutely no doubt about the function of this next object at least 2 000 years later it represents the mechanical Genius of mankind in the 50s a physician rediscovered this misunderstood fragment coming from a shipwreck of a boat that sank about 100 BC convinced of its importance he spent the rest of his life studying it but he died 20 years before technology could confirm his intuition when the object was internally scanned in detail [Music] mechanism was discovered in the stock objects coming from the antichythera Shipwreck this ship was sailing to Rome around 60 BC and wrecked in front of the small island of antique between Crete and peloponnese Derek the solar price specialist in gear mechanisms arrived in Athens in the 50s and went to the archeology Museum to see the indicator mechanism in the 50s and 60s we could only see its outer parts it was not before the 70s that Derek price got the opportunity to work with a nuclear scientist from the center for nuclear studies in Athens a scientist who proceeded to x-ray the fragments of the antikythera mechanism and there what they found on the main fragment was a massive surprise 30 Gear wheels and the gears are very visible on the X-ray this could represent the sky at any given time or be used to determine a date from the specific rotation of the planets with just one button you could reproduce all the movements of the visible planets the Sun and the Moon device is a miniature and mechanical representation of the cosmos what we now call the solar system it's a continuous mechanism design it didn't know that the Earth was a sphere and that the Stars rotated around the Sun had been established for a while since at least Euclid who set the basis for geometry Auto likos established the basis of spherical astronomy they knew precisely the cycles of each of the planets including the issue of the offset between the lunar and solar calendars identified by the Greek metal over the course of 19 years or 19 solar years there are very precisely 235 lunar months a calculation that would have been fine-tuned a century later by khalip De suzik if we take four times the metin cycle which is 4 times 19 which equals 76 and then we remove one day we then have a concordance of both the lunar cycle and the solar cycle that is much more precise and it's funny as all these numbers the 19 the 235 and the 76 are all noted on the machine on the inscriptions initiative the Hublot Society decided to reproduce it but the first time Mattie has heard about it he thought it was a joke in 250 BCE we were capable of doing this and you had gears like this like that and then right away I said it was not possible and what's next there were aliens too and they came and they gave knowledge to men and then they left I thought it was a huge joke and then I got angry so I went there saying I needed to learn a bit more about it then it was obvious it was possible it existed it was there in front of me the level of maths required is amazing as the Antica theorem mechanism involves complex movements a person who designed the machine had a long history of Performing calculations that is a certainty because in order to represent all these complex phenomena in such a simple way but yet very difficult to design and Implement clearly this was not a dry run the orbit of the moon around the earth is not circular but elliptic which gives it a variable speed from the Earth This is complicated to reproduce as the gears generate constant circular movements the wheels gear up one inside the other they turn over a satellite but we also know how to do that there are planetary gears but while they turn they will drift away so they take more time to get to the other gears so it slows down then as it moves closer it goes faster so they managed to get these gears to breathe while working they move away and they move closer and what does it actually do it changes the gears ratio they created something that is absolutely incredible in its Simplicity and at the same time it's genius and our civilization missed it entirely you have to appreciate the Mastery of this engineering there are gears inside that show extraordinary technique and creativity the research and development meaning the design of the object relies on the knowledge that we have to begin with because if we are learning while working on it it can take forever it could take an entire lifetime what they won't dare to say in front of the camera in fear of upsetting some archaeologists is the level of mathematics required to design such a mechanism it's far beyond what is usually attributed to the ancient Greeks otherwise they would have needed thousands of prototypes to reach such a precise result but how to go from a design to a mechanical implementation this is still a mystery nowadays yes because in practice it is way more complicated than it looks take the main wheel it has 223 teeth how do you easily break down a circle into 223 equal parts mechanism is not a unique argument it's Unique for us this is the only one that has reached us today thanks to the Shipwreck but we are certain that there will have been dozens now with the knowledge of this device some Greek scriptures sound different a book came to us yeah he was copied by the scribes from an astronomer who lived roughly at the same time as a supposed implementation of the antiquitura mechanism when you read this text I feel like you're reading a description of the antikythera mechanism if you needed proof that tools or machines did not survive the test of time this was only 2 000 years ago Egypt is 5 000 years ago imagine what other technology could be lost it was saved because it's sick that is the Paradox had it stayed on land it would have been melted recycled to do something else that was the rule for all metallic objects that were no longer useful and the device would still work had it not remained underwater How could a major chapter in the history of human engineering have been lost from our records but the device was lost is one thing but that the very idea of its existence was lost what's even more surprising is that this discovery was almost entirely overlooked by archeology if you ask a classical archaeologist what the relationship of the elders was the technology at best they would possibly mention architecture we can't miss the Acropolis obviously for the elders Theory prevailed and tangible work was for the slaves that's a typical discourse which has continued since the Romans mechanism questions this discourse and forces us to re-read and also to rewrite a number of things a stone's throw from the Acropolis yet again we find the same type of wall what a surprise [Music] if the Antica theorem mechanism makes us reconsider the evolution of human Science and Technology then one site completely disrupts the chronology of the timeline of human history [Music] the site of Gobekli Tepe was discovered in the 90s by Shepherds in Turkey the site of cubic is certainly the most archaic Temple that we know of today Klaus Schmidt the German archaeologist came to the site and started Excavating in 1995 up until 2014. he brought out of the ground six extraordinary vast enclosures which are absolutely unique in the world at the heart of the enclosures there are Central pillars these are two large anthropomorphous pillars called twin pillars surrounded by an outer wall divided at regular intervals by other smaller pillars the large pillars are about two and a half meters high and weight about 16 tons and this is where the problem starts Humanity at that time did not even know how to create a pottery vars they were really very archaic there were the last hunter-gatherers prior even to any sedentary life and they managed to raise pillars which weighs 16 tons that requires coordination at all levels of all workers it also acquires a main contractor specialized workers and we have to remember that over 12 000 years ago there were only nomadic hunter-gatherers with no specialty and not even the same language to communicate according to history this is before recognized civilization this doesn't seem to fit the narrative what is surprising is the refinement of all these Engravings carved in the rounding relief that we may have found everywhere a refinement we never could have imagined existed at that time during Neolithic this calls into question all of what we thought we knew about natufion and Neolithic after that we've been trying for months to interview one of the best researchers in the world in this subject the author of Fingerprints of the Gods Graham Hancock arrived just in time he was going to give us the keys we were missing here we have a giant megalithic site much larger than Stonehenge for example which is 11 and a half thousand years old which appears suddenly in a community that apparently are entirely hunter-gatherers where did they learn the skills to to do this do we don't see them practicing the oldest material that go back to tapi is the best where did they wake up one morning with some sort of um magical inspiration that enabled them to Quarry and cut stone to put up the world's first perfectly north-south aligned building which requires astronomy what was the true purpose of the site it is a ritualistic temple there must have been sacrifices surely there were archaic rituals at that time but I also think it is an astronomical Observatory one of the pillars raises the issue of agriculture at the top you can see baskets behind we can see stacks of wheat things like that interwoven it seems certain that this Temple was there prior to agriculture yet we already have these first baskets the first perspective of Agriculture and that is something that chronologically does not fit in the academic timeline nomadic people would settle in one place and then they would specialize their skills and be able to build temples but here it all happened in reverse there must have been something some event that led to a sedentary life and to the development of human intelligence agriculture appears Suddenly at the same moment that Gobekli Tepe appears actually when I spoke to the late Claus Schmidt he felt that go back to Tempe had functioned as a center of innovation in that area that it was a place where people were drawn to and were taught skills and this raises a question in my mind who taught them the skills because what I think we're looking at at Gobekli Tempe this sudden emergence of megalithic architecture the sudden emergence of evolved agricultural knowledge it looks to me like a transfer of Technology it looks to me like people came to that area who already knew how to make megalithic architecture who already knew Agriculture and who knew how to mobilize and organize workforces and they put that infrastructure into place there and they passed on their skills in megalithic construction and in agriculture to the local hunter-gatherers that they had settled the Munch so who were these people you can see on the pillars patterns similar to others around the world I don't know how much we should make of these connections but it's interesting to note for example the Gobekli tapi megaliths are tall pillars sometimes weighing as much as 20 tons with the kind of shape of a letter T and the top of the pillar the t-shape at the top of the pillow represents a human head you can say this for sure because many of the pillars have arms carved into the side and the hands meet in front of the belly the positioning of the hands on the Gobekli Tepe figures is just identical to the positioning of the hands on the Easter Island statues on this belt is cut the letter what we a sign that we would recognize as the letter H and oddly enough that exact same H shape as you know appears in the H blocks at tiwanaco there are certain creatures and animals which are cut on the Gobekli tapi megaliths which are reproduced exactly in structures in Peru and I went into this in some depth in my book magicians of the Gods you can see handbags on one of the pillars this is also what got Graham Hancock's attention since there are similar types of handbags in the images of the Mesopotamian God owanez who is said to have brought civilization to this part of the world a motif that we can also find in Central America is the hand of God who will later be called ketzal koakla also a transmitter of civilization what we are often seeing in these similarities is what we would expect to see if one culture on one side of the world and another culture on the other side of the world had both received a legacy from the same third-party culture however else can we explain these parallels and what about the sudden appearance of this Temple and agriculture 12 000 years ago we have no precedent prior to this site it feels like they reached Perfection all at once at the beginning we thought of sedentary life had brought man to spirituality that is to build temples then cities we realized one thing and we have to go backwards and think of spirituality leading to sedentary life so for archaeologists this is disturbing we made a mistake in our thinking it's interesting that Gobekli Tepe means the hill of the navel another one as Klaus Schmidt discovered this navel has been deliberately buried this allowed for it to be precisely dated 11 600 years ago with a margin of error of about 150 years but why go to the effort of building this site for it later to be buried did it need to be preserved we could think of it as a message left for posterity we've noticed the date 9600 BCE corresponds to the abrupt end of a Time called the younger driest as the Earth was getting warmer and was progressively coming out of the last ice age the temperature brutally fell by seven degrees this younger dry ass episode has for a long time been mysterious to geologists we know it happened but they've not known why it happened about 1 300 years later the temperature suddenly climbed up again by 10 degrees there was a second episode of cataclysm a second episode of global flooding geologists call it melt water pulse 1B according to several scientific studies these two events might have been due to the comet impacts hitting the Earth twice 1 300 years apart creating cataclysms our ancestors would have witnessed every account that I'm aware of that exists of a former human civilization that was brought Low by a cataclysm there are no exceptions if large debris did hit our planet you can understand how people might have assumed they were being punished by a divine power this impact hypothesis is nowadays considered a serious possibility by science in the layer of the Earth corresponding to the beginning of the younger driest period we find massive quantities of platinum associated with Nano diamonds and carbon spherols minerals melted at a temperature of 2000 degrees and vast quantities of Ash the result of global fires this points to the confirmation of the impact hypothesis we can constrain it to the period between 12800 and 11 600 years ago again as stated by Graham Hancock we do have records as Plato wrote Solon was told that Atlantis sank nine thousand years prior to his visit in Egypt in 600 BCE or 11 600 years ago which coincides with the end of the younger driest period we must not take all legends literally but we must not dismiss them all either let's talk about the legendary city of Kamari kandam of the Tamal people in Southern India this very evolved civilization may have occupied a vast extension of land with massive libraries and universities however 11 600 years ago the date of the end of the younger dryas Kamari Camden disappeared totally during a cataclysm sea level has risen 120 meters more than 27 million square kilometers of land which is roughly Europe and China added together was above water during the last ice age and is underwater now I would suggest that the civilization we're dealing with was a maritime seafaring civilization that it occupied the very best lands that were available in the Ice Age world and those very best lands actually as is the case today were the coastal lands lands close to the Sea those were the lands that were flooded by rising sea levels at the end of the Ice Age local fishermen had been complaining for a long time about underwater structures which their Nets were getting caught on but nobody believed them they told this to Graham Hancock who decided to go and dive with them we went out and dived at mahabalapuram with the local fishermen in 2002 and lo and behold everything that they'd said was true there is an underwater city there and what's more it extends more than five kilometers from the shore down to down to depths of more than 30 meters but during the 2004 tsunami when the ocean withdrew the bay was exposed for about 30 minutes and many people saw the ruins since then the site is being studied but they're not investigating it in a satisfactory manner they have they have they're still working in the intertidal zone down to a depth of five meters they should be out five kilometers from Shore at 30 meters looking at what's lying down there because it has the potential to rewrite history because we know from sea level studies that that area has been underwater for about 11 and a half thousand years exactly as is given in the Kumari kandam store story with time stories are often embellished changed or disappear altogether is this the reason why Egyptian priests engraved the history of Egypt onto Temple walls as my friend John Anthony West puts it the ancient Egyptians are telling us very clearly that their civilization was not a development it was a legacy it was a legacy from the first time and the first time I associate with the arrival of the survivors of A Lost Civilization in Egypt around 12 800 years ago and that story as a matter of fact is told in full detail in the edford building text the priests of that time around 330 BC had inherited The Archives of the earlier temples amongst those archives written on animal skins and falling into pieces was the story of the time when the gods came to Egypt after the destruction of their former Homeland which was an island they came to Egypt and they brought the gifts of civilization and the priests decided to copy those crumbling ruined and ancient texts and make them permanent on the walls of the edfu temple this is the story that was told to Solon when he went to Egypt alone it was later relayed to Plato for some it's only a story but it's important not to forget how seriously respected Solon was a member of the seven Wiseman Council because his work contradicts the timeline of History nowadays Plato is accused of inventing the story or being senile however a similar story was written on the walls of edu Temple Kamari kandam or the anticothera mechanism remind us to remain prudent only one or two generations are enough to wipe out the memory of a whole population how many other objects or texts could have been lost in the same way we knew that 13 000 years ago our planet was subject to major climate shifts the ice caps melted in the Northern Territories a mass extinction occurred the level of the oceans Rose by over a hundred meters and the cold came back and prevailed for 1 300 years however we cannot explain the brutal cause of it all we also know that our ancestors lived through this event that led to migrations of entire populations but we thought they were still only hunter-gatherers gebekli Tepe reveals this was not the case from there it's only a small step to imagine the level of development of civilization is greater than what we thought we should not expect the remnants of that Civilization to be the same as our own they're going to be very different and may even be unrecognizable as we have built all over the planet mined and drilled underground in many places our civilization has left remnants everywhere but what if civilization evolved differently the Legends describe all ancient sites having some divine origin we personally can't imagine they were built literally by the hand of a god unless that God was small enough to walk through the hallway of the Great Pyramid another way to explain how ancient sites share common features is the fact they are Simply Connected by Homo sapiens having settled everywhere on the planet and just happened to find the same solutions to the same problems but how do you explain the fact that humankind started with precisely constructed massive stones to end up with small blocks and cement but another connection defies this hypothesis both in time and history in 1965 the French Francis mazier talked about a connection between Easter Island Peru and Egypt stating that all three are located according to him on some sort of magnetic equator of the Earth in 1997 an American Jim Allison baptized it the great circle a global Circle that was not possible to see until we had mapped the entire Earth foreign [Music] let's go from Easter Island taking a 30 degree orientation and draw a line about a hundred kilometers wide [Music] strip passes through NASA in Peru then Machu Picchu Ollie and taitambo Saxe woman Cusco and nopo Iglesia thank you it crosses the Atlantic to go over the sacred Caves at tasili and Ajer in Algeria then through the Oasis of sewa by the Giza Pyramids in Egypt over Petra and Jordan ER in Iraq persepolis in Iran [Music] Mohenjo-daro in Pakistan kajuraho in India in Burma sokotai in Thailand and priyavia in Cambodia all highly likely to be connected a long time ago and then over to the little known islands of netium in New Caledonia [Music] foreign [Music] spread out in time over thousands of years we are rather looking at their locations most of them being built and rebuilt over the ruins of ancient temples let's first look at the distance ratio between some of these sites let's look at the Earth from above the red circle that surrounds it is our great circle the distance between Ankara and Nazca equals the distance between Mohenjo-daro and Rapa Nui and kavat to Mohenjo-daro equals Mohenjo-daro to Giza and also Nazca to Rapa Nui at this stage of the investigation no one is surprised to see the golden ratio showing up again the distance between angkavat and Giza times the golden ratio equals Giza to Nazca and Giza to Nazca times the golden ratio equals the distance between Nazca and angkowat using the metric system in the same way we did with the Great Pyramid let's measure the distance between Easter Island and Giza ten thousand times the Golden Ratio or a quarter of the way around the earth times the golden ratio [Music] this is where Jim Allison stops as like many other researchers they measure distance in miles and not in meters up until 2012 Google Earth gave the figure as 16 179 kilometers between both sites today it's 16 168 kilometers the reason the method of calculation has changed so depending on the method used the result can change but seriously even with the difference of about 20 kilometers to find an island position on this tilted equator is nothing short of a miracle [Music] once we check the distance on site with the maps application for smartphones and taking the GPS coordinates of the Great Pyramid in Giza as the starting point we were able to validate a new discovery by Jim Allison the point indicating precisely the 16 180 kilometers is located at the center of the triangle created by three remarkable points of this island the two highest Summits teravaka and poike and the center of the crater at ranokeo and this triangle is even more unique it is the portion of a golden Pentagon connected to the golden ratio [Music] it's quite obvious that the volcanoes are natural [Music] explain the distance to sites being anything but deliberate the answer is clear the Builders of Giza had to position the site according to Easter Island which they must have known about same as the metric system a private geologist who is not seeking recognition shared with us his surprising observations [Music] first he found that Easter Island was located on a hot point of the Earth hotpoints are geological phenomena that stay fixed to a point while the crust is moving [Music] then he realized that the alignment of the site on this great circle are located on what we call points of discontinuity of the crust which means simply said it's a point of weakness in the case of an earthquake this is where it would break there are obviously other points of discontinuity on the crust but the important fact is that each site of this great circle is located precisely over a discontinuity point this geologist could not explain why they would have built temples at places where they were at most at risk of collapsing when only a few kilometers away it would have been much more stable when the discontinuity point is at Sea then the site must be built as close as possible to land which is the case for Nazca where the ocean and the Andes did not leave them much choice for its location why are these discontinuity points so important the placement of sites around the world at specific longitude distances from one another and those longitude distances are all part of the ancient system of numbers that we find in myths and traditions all around the world and that system of numbers are generated by the precessional wobble of the Earth's axis it's a number system based on the number 72 and there's an astonishing number of ancient monuments around the world that have precisely separated from one another in terms of degrees of longitude by that number system these sites are located on the great circle cool but not just any Circle the North Pole of this great circle is in Canada and in the northwest of British Columbia this happens to be the place where the magnetic pole oscillates the poles shown on a compass are the same ones that enable life on Earth it also generates a magnetic field that filters solar radiation enabling life and allowing us to produce electricity is this the reason Francis mazier spoke of a magnetic equator referring to ancient esoteric tradition like any group of humans the world of esoterrorism is not free from dangerous ideologies but this isn't a reason to discard all information especially when it could resonate with modern science Englishman William Gilbert in 1600 discovered the Earth's magnetic field and maybe it now allows us to better understand the building of these ancient sites Ian s Stewart from the University of Plymouth wondered why the ancient Greeks decided to build temples precisely on spots subject to seismic activity journalists jokerly wondered whether Greeks worshiped some sort of earthquake cult because of course everything has to be religious but for Stewart reasons could be both spiritual and perhaps medical since he realized that these sites have pristine water sources we don't believe any of this has much to do with some ritualistic cult at least not in the way we think of them after asking an expert in civil engineering a polygonal structure stands a better chance against Earthquakes than our modern walls made of the same size bricks so on earthquake-prone sites the Ancients built earthquake-proof structures exactly like the hill of the nymphs in Athens and on Easter Island the site of to pitakura this egg-shaped stone is magnetic a lot of stones are magnetic you can check with a compass but how would you know about this without a compass is it yet again another coincidence that sacred stone is magnetic and set on a discontinuity point of the Earth's crust and on a hot point it's the same thing at Giza where the Great Pyramid is located over a remarkable point of the Earth's crust where they built the king's chamber with granite that they had to get from painstakingly far away [Music] of course you can keep thinking the only reason for this structure's existence was to be the biggest tomb in the world you can keep thinking that if you want but what can we learn from all of this that these sites are built in the most earthquake sensitive areas in regard to the geological activity of our planet that they belong to the great circle our magnetic equator which might be related to the magnetic activity of our planet that we carefully Place specific stones in particular locations on Earth the separation in degrees of longitude between Giza and Angkor is 72 which is yet another way we can talk about the proportions between these sites on the great circle that after discovering the golden ratio and the metric system we can go into degrees unless this is yet another fluke we run into whole numbers when measuring degrees between Giza and Angkor that [Music] thank you foreign [Music] [Music] foreign [Music] [Music] [Music] [Music] nothing in common at first glance right but are you sure you saw everything take this for example we're not looking at a random positioning of the blocks this is clear in regard to this vertical seal the one opposite to it almost mirrors it you have to admit that's rather surprising the polygonal shape of stones [Music] the shape of the paving stones a specific system to Anchor these stones symmetrical similarities foreign but it is surprised the stones are not particularly large and their work closely resembles European Cathedrals if Uncle wat to prom and Bion really date back to the Middle Ages they do seem to be inspired by the same Styles found in Egypt Peru and Easter Island the question is more about their location as these temples were built on the ruins of ancient complexes and spread out almost 250 square kilometers even the name Encore has a meaning in the ancient Egyptian language and core means life to the Horus uh archaeologists say it's all a coincidence but I wonder if something deeper is going on some deeper game they all share this common DNA this common Legacy that goes right back to the beginning Graham Hancock and John Grisby demonstrated 1998 that the whole of the site was also positioned according to the stars on the constellation of the Dragon this is another common factor with all the archaeological sites of our past to reflect a specific position of the skies at a given time Gobekli tapi encodes the winter solstice 12 800 years ago Giza encodes The Equinox 12 800 years ago the three pyramids on the ground the Great Sphinx the constellation of Leo the constellation of Orion the Milky Way they're all part of the picture Mr Laveau and Verma were also interested in the connection between the site of Giza and the Orion constellation same as Robert Beval the Orion constellation is Seven Stars Warframe stars and the three stars on the Belt that's the three stars we find in the shape of the pyramids we need to include series The Star dedicated to Isis Orion to Osiris and Sirius to Isis that allows us to make the connection with Egyptian mythology these stars have particular movements over time from the earth we have a lower point for Orion meaning that at a certain time Ryan will be at the lowest point in the sky and 13 000 years later it will be much higher for the next 13 000 years it will move downwards what is really fabulous is that in 10 500 BCE at the moment where Orion was at its lowest we had a perfect right angle for no more than 20 minutes we would have seen Orion and Sirius even though serious that's what we call proper motion being that it shifts away from Orion during the cycle of procession 10 500 BCE or twelve thousand five hundred years ago a Time aligning very closely with the beginning of the younger driest period Graham Hancock mentioned an astronomical cycle of the earth called procession of the equinoxes what is the reason why we often refer to equinoxes and constellations as explained by Matthew Laveau regarding Giza these constellations once transferred to the ground would work as time stamps but what is it the procession of the equinoxes from the earth stars are not fixed in time the sky looks like it's moving by a whole degree every 72 years and you will need almost 26 000 years for a whole cycle one turn of the celestial wheel it's called a zodiac [Music] we connect the stars together to create shapes which then allows us to easily identify these periods in the sky this is a gigantic astronomical clock that never goes wrong Plato wrote the tour of the zodiac lost precisely 25 920 years modern science establishes it at 25 760 years The Plato managed to get such a close estimate 2 500 years ago it's an enigma that does not seem to interest anyone let's give him credit and use 25 920 years which represents a big year divided into 12 months or eras each lasting about 2160 years when talking about the modern era it's probably in relation to the era of Pisces which started about 2 000 years ago each of the processional eras is carefully represented at the ancient sites there's no doubt the Ancients paid attention to this during the age of Taurus the Bull was the primary icon in ancient Egypt and in ancient Mesopotamia as we shift into the age of Aries suddenly Rams become the primary icon just look at that column of ram-headed sphinxes at Karnak for example as we shift again into the age of Pisces Suddenly It's the fish no the early Christians used the fish as their symbol so ancient cultures were aware of this and these broad changes in the heavens do seem to be accompanied by broad changes on Earth according to ancient myths and beliefs of various people Earth fits into four Cycles the most famous being that of the Mayan Sons or that of the four ages of the earth and as per the doctrine of hermeticism the science of Hermes which despite bearing the name of a Greek god actually dates back to ancient Egypt so it's a question of Cycles or periods of time throughout history the End of Time Has often been mentioned but more in reference to the end of a Time the end of a processional era was this what the French writer Andre malaru was referring to when saying the 21st century shall be spiritual or won't be at all but what is the importance of the procession of the equinoxes we don't know but for them it was important they were convinced that the planets the gods often representing these planets had an influence on the destiny of humankind the idea of the planet gods is evident in ancient Greece where the antikythera mechanism could have a new purpose but if Aries and Taurus are correctly marking the corresponding astronomical eras what is to be said about the Sphinx and Giza connected to the lion the previous era of the lion started about 13 000 years ago just before the beginning of the younger dryers period we were wondering about the meaning of all this then the results came back from barabar we decided to go back this time with a 3D scanner a sound level meter for acoustic studies and a laser level to measure the caves precisely [Music] the images that you are about to see are the result of the 3D scans done by our laser with a rotating beam over all the surfaces they are the equivalent of an MRI scan the lasers determine millions of points allowing us to display the exact shapes recorded with a Precision close to the millimeter we collected tri-dimensional images which we will show you in the Raw format no touch-ups let's start with the two unfinished caves [Music] foreign caves we can see The Logical evolution of the shapes the first one is a trapeze-shaped cave with a curved ceiling with an entryway at the end [Music] the second one is trapeze shaped with a curved ceiling and an entryway at the side [Music] the third one is entirely curved the entryway at the end and the back wall is also curved the fourth one is trapeze shaped with a curved ceiling entryway at the side and curved at each of its extremities [Music] the fifth one is more complex trapeze shaped with a curved ceiling a conical Dome cut at one end [Music] this was accomplished in Granite at least 2 300 years ago in India these caves are the oldest of their kind and for some unknown reason all those built in the centuries that followed never managed to get the same level of precision and finish using a material harder than reinforced steel complex shapes were built with a degree of precision ranging from two to eight millimeters over a length exceeding 13 meters this is more than good enough for the eye kind of work these caves are almost vertically symmetrical a real accomplishment considering the tools at the time foreign let's put to one side the questions about the tools that constructed the caves and let's discuss about the geometry of the shapes vapiaka Karen Chopper gopika and the sudama room all contain trapezoidal sections the vertical walls are in fact tilted with a constant angle of less than three degrees in the rooms with trapezoidal sections the ceilings are shaped into roughly half cylinders whose Central axis height varies from one cave to the other in vapiaka the axis is located approximately 13 centimeters above the floor in Caron Chopper it's approximately 1 meter 20 above the floor in sudama the axis is located approximately 1 meter 13 above the floor but in gopika it is more complicated since the axis is located approximately 47 centimeters under the floor building an arc whose access is located under the floor greatly complicates The Taking of measurements during its construction a requirement to verify correct curvature meaning you wouldn't choose to make a ceiling like this unless someone specifically asked you to and everything has been made with a glass finish the builders wouldn't aim for such Precision without a reason it must have been a necessary part of the architectural specifications [Music] studying them we can deduce the incredible skills needed for their construction which would have required at least one engineer and several highly skilled laborers with respect to the Ashoka Builders the finished results here appear to be too advanced when compared to the knowledge and the technical means available during the period okay but why construct such peculiar rooms something surprising about the caves is the sound and the way it reverberates due to the slight inclination of the walls it leads to a suppression of echo in favor of acoustic residents this can't be a coincidence but if so where did they learn to do it where is the evidence of the process once again like with the antecaithera mechanism it's necessary to experiment to conceive prototypes caves of such Precision are not created without first becoming an expert yet no prototype is found anywhere other than these two incomplete caves and the work performed in the following centuries in India would never equal or even come close to the level of work here these spaces behave like resonance Chambers tests conducted in the sudama cave show that when you stand in the center of the Dome certain frequencies make precise body parts vibrate data analysis using a sonometer gives incredible results for three of the caves measurements in the last two are not sufficient at the moment and will need further completion let us start with Karen chopar the cave resonates at a frequency of 200 Hertz as well as at multiples of this frequency 400 Hertz 800 Hertz a thousand Hertz and 1 200 Hertz kobika resonates at 200 Hertz 400 Hertz 800 Hertz and 1200 Hertz and vadatika resonates at 200 and 1000 turns do you realize what this means those who conceived and built these caves made them with specific shapes and dimensions to resonate at different frequencies can we call this a coincidence precise sound calculations 2 300 years ago how did they calculate those dimensions at this point we have no idea but we will continue to investigate [Music] in regards to sudama the circular diameter on the ground of the chamber measures six meters to the millimeter on this complex shape of a dome they placed half a sphere about three meters in radius with a five centimeter difference this time the center is at one meter above the ground give or take one centimeter the length of the room is 6 meters as is the diameter of the ceiling we can't say for sure but it's starting to look like they use the meter six meters in diameter means 18.8496 meters in Perimeter divided by 6 The Arc equals Pi in meters what if I told you these Granite caves are also located over a discontinuity point of the Earth's crust it's up to each of you to conclude what you want when looking at these masterpieces with the help of chisels and Goodwill Builders might have accomplished this random Miracle or maybe we're looking at an example of a science totally unknown to us We Believe historians are mistaken about the true function of these ancient sites if you spent so much energy maneuvering such massive stones and fitting them so precisely if you position them at intersections on the magnetic equator on discontinuity points if you build them with such specific rocks utilizing such special numbers if you meticulously align these structures with the Stars then there's obviously more to it [Music] we still have a lot to learn from barabar and Giza before placing the last unnecessary piece of this puzzle we will recap what we found [Music] enigmatic sites built with similar techniques everywhere on the planet implying a transmission of knowledge absence of archives or explanations about the means and techniques utilized a particular care in the choice of rocks unfinished elements [Music] an advanced design accompanied by precise construction contradicting the knowledge and means supposedly used at the time astronomical orientation of major sites in reference to the cycle of procession of the equinoxes an archaeological site pushing back the timeline of human civilization an archaeological site implying the use of sound frequencies for reasons still unknown presence of the golden ratio in Geometry when it was not supposed to have been known a connection between the qubit of the Great Pyramid the Royal queen and the meter implying they knew the dimensions of the earth before its measurement in 1795. the positioning of ancient sites within the great circle connected to the golden ratio the degrees and the metric system the location of sites at the intersection of points of discontinuity of the Earth's cross and the Magnetic equator scriptures myths sacred texts recording one or more advanced civilizations Vanishing in a cataclysm looking at all these facts we've presented instead of chance we choose a more rational explanation the existence of an advanced civilization in the Forgotten past who would have disappeared following the cataclysms of the younger dryas we have wondered how the survivors might have attempted to pass on their knowledge not knowing whether it could be understood by other civilizations after it when looking at this beautiful work the thought suddenly struck us it's either evidence of Genius Builders or this is all in our imagination in the apocalypse according to Saint John the prophetic text ending the New Testament he mentioned to the end of a particular era you can read this rather enigmatic sentence the first Beast was like a lion and the second beast like a calf and the third Beast had the face of a man and the fourth Beast was like a flying eagle on the card of the Marse tarot the Arcane 21 called the world you can find three animals as well as the man represented by an Angel we are told about the astronomical constellations Taurus Leo Scorpio that used to be an eagle an aquarius formerly an angel older Baron regulus antarus and formula printed on a double square on the tarot card a double square opening to the golden ratio geometry contrary to popular belief Apocalypse in Greek does not mean the end of the world but disclosure of knowledge [Music] a religious scripture a card game structures multiple communication mediums conveying the same invisible knowledge to those who don't know how to read it but will keep playing it and telling stories as humans have always done in the animal kingdom playing is the most natural way for babies to learn this is something we have in common but humans have one step better storytelling the process in which we encode information for the Next Generation to learn playing games and telling stories could have been the best way to discreetly transfer knowledge throughout the ages because humans have the disturbing Habit to always rewrite the past but they will always let people play and tell Tales [Music] even through the church with its tetramorph supposedly representing the four gospels Matthew Mark Luke and John were used without realizing this [Music] otherwise why would they invert The Lion and the Taurus [Music] it may have been before our eyes everywhere all this time [Music] different ways to encode information for thousands of years almost impossible to understand before reaching a certain level of Enlightenment it's an extraordinary active genius created by these builders and what an amazing lesson of humility and self-sacrifice from our ancestors who discreetly transmitted this information throughout all time hoping one day we might be able to fully understand it again given what we can see when we look at these complex structures it appears that we are still very far away from reaching their level of knowledge this makes it impossible to understand for those who look without seeing with the caves at barabar the science of frequencies comes into play the moment you step inside the king's chamber in the great pyramid at Giza also made of granite is possibly a concentration of all our ancestors knowledge [Music] the chamber protected by such an inefficient security system that considering their high level of technical Mastery we can only interpret as symbolic A system that would lead you to expect a precious treasure but there's nothing more than an empty Granite box too big to pass through the door and the hallways why the ritualistic or religious explanation that prevents further investigation after all that we've seen its significance is self-evident this chamber contains the ultimate treasure the Treasure of knowledge it's a Sublime mathematical Symphony a true Music of the Spheres written in the universal language of numbers considering we only spent a short time in the chamber we recognize sound seems to play an important role the Spectral Audio analysis performed by using voice recording data show us the use of set frequencies similar to that found in the first three caves of borobar is it possible this structure is tuned to use an ancient musical range based on 432 Hertz but all this requires further analysis with more sophisticated material if what we suspect is proven the repercussions are mind-blowing the technical accomplishments all around our planet in specific locations that can only be found with the help of scientific knowledge all these Clues left everywhere around us in our opinion they carry the Fingerprints of these builders [Music] these Builders who seem to be lost in the memory of mankind but we've inherited Clues left in stone [Music] these Clues we also find in scriptures to the readers of the Quran we wish to dedicate this sentence they were more numerous than them and mightier in strength and in the traces in the land yet all they used to earn availed them not and to those reading the Bible this one I tell you if these were silent the very Stones would cry out for the site at Gobekli Tepe it doesn't cry out it screams and it's not the only one if we exclude from the investigation the problematic elements then you'll not find what you're looking for it's the same thing when an archaeologist who does not believe in the existence of sophisticated mechanical tools of the past does not see the point in measuring a surface with a roughness measuring device or to scan it in 3D if they are already convinced that it is a byproduct of basic tools then why bother checking this goes against the true scientific approach which since Descartes needs to wipe the Slate clean of assumptions and prejudices [Music] at the end of the 18th century a scientist as brilliant as Lavoisier was smiling at the fact that Stones might be able to fall from the sky a few decades before the existence of meteorites were proven so we should be careful because the science today will probably seem medieval in 500 years time it's obvious we have the best knowledge in the world they were already saying that at the time who can tell if we are right or wrong no simply our knowledge is expanding and our technology progresses based on our know-how and our logic our brains continue to evolve with all of it in 20 years time what we say today might be totally outdated and thanks to all this science is progressing now Spanish civilization do you believe in them or not they're not really matter in any case the facts remain so today maybe it is a heresy to look for information where science does not dare to venture or simply does not want to this is where the problem lies the hypothesis of A Lost Civilization is provocative most of the time it's ridiculed and those who defend the theory as serious as they might be are ignored which prevents them from discussing their arguments as intelligent as you might be no one is exempt from their own emotions otherwise how would you explain why this subject bothers you so much for this reason we wanted to pay respect to all these researchers who are fighting silently away from the media's chaos and the mockeries of their colleagues because in the end only the facts count what we're trying to say is that we will most likely need to change our way of thinking if we want to understand the science of the Builders of the ancient world I know it's not easy to reconsider the founding principles of our society on which we have built our current vision of the world yet all these Kings Emperors dictators political leaders and religious heads throughout our history have each time arranged the stories or raised the record of the losers and surely wiped out and rewrote our history [Music] structures from the past are speaking to us if we try to listen to them the city of Corral shows us it's possible to live a long period of time without any conflict in ancient Egypt also since it didn't start any wars the Inca Empire again who showed us that if you don't unify the people sooner or later conflict will ensue our Earth is perhaps perhaps our magnetic pole has sped up in the past 30 years and you would need to be blind not to see that our climate is disrupted the ground is rumbling more often and louder than ever we still have so much to discover it's now up to you to go and see these sites [Music] foreign [Music] thank you foreign [Music]

Channel: My Digital Channel _ Films Complets

Views: 693,929

Keywords: full movie, documentary, 2022, pyramids, egypt, history, secret, investigation, civilizations, conspiracy, macchu picchu, theory, technology, full movie 2022

Id: ktxV4w2yzeg

Length: 138min 9sec (8289 seconds)

Published: Sun Dec 04 2022