BBC's Becoming Matisse

matisse is one of the most well-loved painters of the 20th century best known for his cutouts childlike images cut directly into sheets of vibrant color he wanted his art to transcend the darkness and the violence of the 20th century and it's often seen him written off as superficial a crowd pleaser not really a serious artist today the world has a very soft image of matisse and his art but underneath the creator of the cutouts was a real rebel a revolutionary a man who risked everything to tear up the rules of western art and at the beginning of his career he was considered so shocking he was ridiculed by everyone by the critics the public even by many of his fellow artists because he had such a long career one forgets just how radical he was when he started out he was a man of ruthless purpose you couldn't have painted like that if you were going to let anything stand in your way with the arrival of matisse on the scene you have a new pictorial language that is created that was absolutely inconceivable until then so who was this matisse and how did he become one of the most revolutionary artists of the 20th century i think it's important to remind people of the rebel that he really was that he had to be in order to do what he did and also to bring the family back into the story mantis never would have been metis without his family and that needs to be said [Music] my work and my drawings are pieces of myself if my story were ever to be written down truthfully from start to finish it would amaze everyone everyone thinks of matisse as a painter of color and light but he actually came from the gray flatlands of northern france near the belgium border he was a man not only from the north but from the most kind of north eastern grayest dismalist part of france in many ways [Music] it was a north that was in the absolute middle of the process of industrialization changing a country that had been forested and rural to an industrial and urban world where i come from if there is a tree in the way they root it out because it puts four sugar beads in the shade in some ways so much of matisse's art was really about escaping the world he was born into but i don't think anyone can escape their childhood bowman where matisse grew up was the manchester of france it was a big manufacturing area at the time he was growing up especially textiles but it wasn't a place that you thought of artists coming from if you're in la bowen and your son wants to be an artist i think it's the last thing that you want him to do [Music] [Music] so if you picture the house that matisse grew up in on the ground floor matisse's mom had the shop she sold paints birdseed she sold basically anything that one might need for the house in the back matisse's dad had his grain business even though they were still at school matisse and his younger brother were told to carry sacks of grain clean up shop at the end of the day it was really a group effort to run the business [Music] i think his father would have liked his son to take over the business this was not something that interested matisse at all and as a child he was frequently ill he had some sort of an intestinal or stomach problem which very likely was psychosomatic i think in a way the reason his stomach ached is because he couldn't stomach the life that he had been destined for his father realized that his son would never be able to hump the sacks of grain so he said well we'll have to make something useful out of the boy anyway and send him to a lawyer's office to become a lawyer which of course drove me and marty's wild with misery once all over again misery boredom and and repressed rebellion in the office the boss would ask mr mattis what did we get with that business he got used to hearing no answer from me and would go look up the files himself i was an ordinance orderly who fell asleep on the job [Music] i think at this time he felt very trapped in the life that he had he talked about the things that really captivated him as a child his mom mixing colors in the shop the textiles that were sold on the sidewalk but i think the thing that really made him dream the most were the birds the family kept in the backyard this room was literally just above where the family kept their birds i had a little dove coat down there so i can imagine that you know matisse is a little boy come in this room and in a way these birds represented freedom then he was ready to leave as often as not the starting point is just an accident i had appendicitis i had time on my hands and i had to fill it that's when the paint box turned up i was 21. in the end matisse collapsed he went to bed and eventually was sent to hospital and no one could diagnose what was wrong with him his mother tremendously appalled at seeing her son in this state gave him a paint box she thought it would distract him perhaps give him something to do as he lay in bed all the time so that was how my teeth held a paintbrush for the first time and started to paint [Music] this was matisse's little pink box and it had some little broken corner somewhere and my grandmother gave it to me to fix you can open this up you can put your little paintings here but it also comes with promos and little paintings that you can copy from essentially can you imagine just receiving this box opening it and seeing the colors and he knew right then and there that that was it [Music] like a cow given sight of the grass i just dived right in here was a sort of paradise regained where i was completely free alone and at peace his first paint box did come from his mom and i do think it was actually very meaningful because she probably knew very clearly that he wasn't really finding his way too easily and depressed and mothers they tend to pick up on those kind of things she did open the first window i mean she presented the first window and he opened it so that's that's beautiful [Music] when i said i wanted to be a painter it was like telling my father what you did was no use and never will be let him do one year my mother said and she made his life such a misery he gave me [Music] after the gift of the paint box from his mother he decided he wanted to be an artist and he would go to paris the capital of art in the world at that time his father was not particularly happy for one thing it was not a respectable thing to do particularly to be an artist live a bohemian life how is this guy gonna live did artists make any money and it said that when he took him to the train station he shook his fist at him and said you'll starve his main goal was to get accepted into the ecole de bozair the bazaar was like one of the best schools in france if not in europe to become a successful artist [Music] the academy de boza which means in english the academy of fine arts was pretty much the equivalent of the ride academy in london and its mission was to produce the same kind of artists as they had been producing for three centuries you need to remember fijaas the great sculptor of 5th century before christ in greece you need to remember raphael you need to remember angr so in order to get some kind of recognition you just had to go through this machine that was producing through one mold one one academic artist after another i went to the bazaar myself it wasn't exactly the same thing it was for matisse in his time but i did go and it's pretty heavy um the expectations when matisse came here he was desperate to get in because the pressure from his parents might hopefully lift a little bit and he really wanted to prove himself he was desperate to catch up because he had just literally begun being an artist and he always felt very far behind everybody else when in fact he went much further than everybody eventually of course [Music] in order to get into the ecole de bozar one had to pass a competition and in order to do that one usually went to a feeder school there matisse worked with bugajo who was probably the most famous highly regarded academician at the time he stood for the values of the bazaar for kind of photographic rendering sentimental painting matisse was apparently not terribly well liked by either the teachers or the other students and the register is class the word soon noir is written down next to his name which means but it's something between sneaky and not quite reputable i think that he seems to noise because if his detachment from the program i believe that even at that early stage he knew that bukuro was the opposite of what he wanted to do the problem for matisse was that he failed the examination [Music] [Applause] [Music] executed why do you think he didn't get into the bozell jacket he despite failing the examination this didn't stop matisse finding another way to get into the buzau people said there's a new teacher gustav moro he's very nice when he comes through the glazed court say hello he said come and work in my studio but i haven't been admitted to the recall doesn't matter was kind of a rebel relatively speaking at the school moro really liked matisse he also saw something in matisse that went beyond simply a sympathetic personality [Music] one other thing he did is take them to the louvre and then once at the louvre they were making copy with quite classic way of learning and you get familiar with de la croix with busan what he make them do is you do a copy but don't copy for copying you have to express yourself in this copy he didn't show us how to paint he aroused our imagination in front of the life he found in those paintings he also encourages his students to make live drawings in the street try to capture the life in the drawing so to be very free in the line so this was another method of drawing so moro gave them the taste of liberty not following the academic course it was around this time that matisse got his first studio k samichen he was on the very top floor and i think for the rest of his life he even remembered it was a hundred and two steps to get up to his place oh here we see this place was full of artists on behind every door there was a studio must have smelled good oil yummy [Music] for 350 francs a year i had a room on the sixth floor fine view that had them to the right louvre to the left on sundays there was always a great throng on the cape [Music] one of the stories that i loved was when matisse came here he had um a peashooter and he would load it up and fire it down with the um uh the little pellets and try to get the fishermen or the ladies passing by and uh you could see how far he could go without getting caught you see people looking around it must have been very funny he did get caught though once place was very important to matisse personally because not only was it his first studio in paris but he met a girl here became his girlfriend kemi kami worked in a hat shop she was a model for matisse and they hooked up and she was living with him here in the back room somewhere over there and she got pregnant here she was young i mean when she got pregnant she was only 19 years old so this was pretty devastating as having a child out of wedlock was not really a great idea at that time it was pretty taboo in fact but uh that's when margarite was born this is a portrait of margarite when she was little and uh i think it was a portrait done by evan paul who was a very close friend and who also painted in this building as well that's beautiful margherita's the little the little one this must have been somewhat horrifying for his parents but they still give him a chance because he's painting well at school the french state has even bought one of his paintings of kami but even at school he started to feel trapped by all the rules between 1895 and 1897 moreau opens matisse's eyes up to the possibilities of painting and then he meets pissarro and pissarro opens his eyes to impressionism [Music] at the time that matisse was a student impressionism and the ecole de bazaar were in two different worlds the color is brighter and the sense of light becomes an important part of the subject matter of the painting so for an artist to be an impressionist was to be to some degree a bad boy [Music] this impressionist revolution opened doors that artists had never known could be opened beforehand cezanne pisarro dergah with a kind of very anti-salon anti-academy established a parallel system by which it became possible to pursue their own career separately so you can refuse the academy pizarro tells him and you can eventually hope to make it to become yourself these things cumulatively had a huge impact on matisse at the end of his course at the bozar any student was expected to produce a presentation painting but when the time came to put it down on canvas to show he was a proper artist he'd seen a new way of painting water and color and light and he couldn't help but incorporate it in this painting [Music] he took it to the salon he hung it up wasn't well hung and was absolutely horrified a paul crestfallen when people began collecting in front of it and saying look at this rubbish what's this doing in this in the show when his parents came up from boa proud of their son's success to to see his first painting in the salon people said there were microbes at the bottom of the glasses that the whole thing was toxic so you know it was a scandal come he posed for the serving girl in the dinner table cammy was horrified and so were matisse's friends she was pleading not just for herself and for that child but also for him and his future his career as an artist and she was quite right he was throwing his career away with that painting but mantis brush had a will of its own it would paint that way and he couldn't change it later in life i know that he was pretty proud of his choices of that time but it couldn't have been easy he turned his back on the academy he painted the way he chose to paint even kami left him for that and she left him with marguerite with the child now he's on his own [Music] this is emily at a very young age just at the time that she was meeting this fine young chap the kind of guy she promised herself never to go out with and here's the guy with red hair the young unpromising artist he was invited to a marriage and he was seated next to this woman amelie perreault and as the story goes there was dancing and when they all got up from the table to dance she held out her hand the way that she did it or signaled to him that this might be something that would continue she made a vow to herself that she just wouldn't ever be with a an artist be a guy with red hair or a beard but there was chemistry immediately so she definitely broke it well yeah the parents of emily armo and catherine i love this picture this is elmo they were a very connected couple and they were very open open to accepting matisse an artist who hadn't quite made it and shows no promise and has an illegitimate daughter uh those you know might not seem anything today by today's standards but back in the day um that was kind of a big deal emily's parents worked for a couple called amber mussi amber was the son of the former minister of justice who had been one of the founders of the current french republic hugely powerful man and his wife therese was an even more extraordinary person she and her husband were one of the wealthiest and most powerful couples in paris at the time so matisse is now marrying into some of the wealthiest circles in paris they were married i think something like six weeks after the the day they first met and matisse wrote in his story long live liberty [Music] here he looks excited about the future i mean i would be too he's just come into a new universe and he can breathe it seems like he just can't resist [Music] ajaxiu smiling found an entire floor of a villa to rent for 40 francs a month it's a hundred meters from the sea every room faces south [Music] for the honeymoon they went to corsica and then in corsica he discovered light something that he never saw and it's not only light it's also nature different kind of trees different kind of sounds too [Music] i am in a wondrous country the blue blue sea so blue you could eat it dark green orange trees with fruit like said jews and big eucalyptus trees with foliage bloom like cockrell feathers and for that guy coming from the north he changes dramatically his way of seeing and then he started to paint differently [Music] their honeymoon was for him an absolute riot an orgy of painting and no doubt other things the paintings they're absolutely revelatory he himself is immersed in light and color and of course it's it's the light and color of a man on his honeymoon a wild honeymooner one of his paintings is the double bed you know [Music] some of the paintings that he paints in corsica are the first paintings he ever paints that are painted in a state of ecstasy where the goal is to convey a state of ecstasy it's crazy he had such a charming quality as a painter he sent his picture from corsica to paris to one of his friends from they called the bosa henry evan powell and for him it was crazy picture he said it was epileptic impressionism he didn't understand at all what happened to matisse there in corsica after that episode he didn't want to talk again to metis matisse renounce in a way to this friendship painting like that you know if you pan like that then socially you renounce things the thing about emily her support at that point had to be crucial absolutely crucial she doesn't really seem to have had much of a background in art at all but when he painted those paintings wondering whether he was maybe going crazy if he's painting paintings like this maybe what he was doing was committing a kind of financial suicide emily was supportive she said that's what you want to paint that's what you should paint when they got back from their honeymoon and the south a new period is starting and it's going to be hard emily's first son was born just very recently this is the first child is jean and emily adopted marguerite she took her under her wing [Music] and then they had another son pierre so that makes three children at home and matisse's paintings were no one bought them so emily decided to open a shop to make some income and shows she opened that little millinery shop she worked hard working during the day cooking teaching to the children creating and mary was set up in her hat shop in one of the smartest streets in paris by madame umber who was her mother's employer [Music] but the matita's brief period of prosperity ended quite abruptly when therese humbert was revealed as one of the great con queens of the world her mighty fortune was based on a will she was due to inherit 100 million francs she kept the will in her safe and it was on the strength of that will that thousands of people all over france lent her money but when the strongbox was finally opened it turned out to contain an old newspaper a trouser button and a worthless coin that was all that was in it [Music] it was an international scandal there were headlines in new york in london as well as in paris banks went bust all over the country bankers committed suicide businesses failed it was just horrific the scandal affected his family all of them enormously it's just incredible it's all here as if it's like happening right now emily's father gets caught and arrested and put into prison and have a picture here showing how he's being taken to prison emily's father was arrested because the humberts had fled they could not be found emily's parents carried the can they were left a scapegoat this is christmas of 1902 and um mr pereira emily's dad goes on a hunger strike and to proclaim his innocence matisse is trying to get the best lawyer in paris to come and defend him but even that guy doesn't want to have anything to do with it friday the 26th of december 1902 here it has perhaps a finally mr perhaps eaten his hunger strike is over perhaps is now not going to be interrogated anymore because matisse has taken this into his hands even if it means playing the lawyer a role that he never really appreciated before matisse was able to defend his new father-in-law [Music] i didn't know about this story growing up it was not talked about for years i think in some ways it made the family retreat even today it's not a family that's um super duper communicative with the outside world and i think you know the roots to that might very well come from this this dark dark dark period i think the impact of the scandal on them personally was completely devastating they lost the hat shop and they lost their place where they lived so there was no other way of moving forward other than going back up north and living with matisse's parents with three kids i mean you can imagine the awkwardness so he ends up renting a place around the corner [Music] being back in boran you must have felt a failure there was a lot of gossips about what happened with the amber affair he couldn't sleep for a while it was a terrible period for him really maybe depression somehow very dark period my father told me a few days ago very angry and humiliated that everyone took me for an abyssil the worst of it is that he held me responsible for me the [Music] in order to paint one must be unable to do anything else a few years ago i managed to create things that people liked and which i did from pure instinct if only this facility would come back to me i'd be able to start again my this is the house that mates rented from his dad when they came here after the whole humber affair and this is where he made a very magical painting on the top floor that i think really reveals his state of mind at the time this is certainly the room it feels really like the painting i don't think anything has changed i love this painting because it was when i saw it as a small child that was sort of my fantasy of just having a space to do to be left alone and just to paint and i think maybe in some ways that he may have had a similar feeling i want to get away from the the people outside and and everybody criticizing him for for his work it's interesting how in that painting you do get that sense of space being elongated the window is it's a bit further out perhaps a reminder of he's a little further away from his dream one step forward two steps back three steps forward anyway i could hear the birds from here [Music] in 1903 therese was finally brought to trial and after madame humbert's indictment the matisses returned to paris and tried to pick up their old life as it had been before mantis was still hoping to earn a living by selling conventional still lives and landscapes he found a buyer but on the day that the buyer was coming he realized that he just couldn't sell this stuff that it wasn't him so matisse's wife and daughter set themselves to scrub the canvases clean marguerite as a child remembered her arms aching because it's hard work to scrub oil paint off a canvas she never forgot it looking back i realized it required much courage especially as the hands of the baker and the butcher were waiting for money count my emancipation from that day [Music] the story of marguerite scrubbing the paintings really shows that it wasn't just emily who was sucked into matisse's efforts in the studio it was the kids too i think they actually helped him find a way out of this dark period of his life i like this picture because here we have emily and matisse and we have pierre who's my grandfather here he's laughing the tie that he had with his kids became solidified even more so after he had a couple of close calls of you know them being very sick each one of them nearly died jean when he was five months old had enterorisis he survived of course but it was touch and go and then pierre had pneumonia and very nearly died of that margarita as a very small child had had to have a tracheotomy absolutely appalling mantis ran out in the street for a doctor she could not breathe and it was desperate he held her down on the kitchen table and slit her throat because she would have it's died otherwise appalling thing to have to do to a child that you love [Music] this portrait was done within the year after she was very sick and he almost lost her there's a lot of vulnerability in this painting i mean she's just holding on to life [Music] same for this one that was done after pierre had a very close call as well and so his response was to paint them and it was by painting them i think that he understood how to be a modern painter again it's just so pure i mean just the foot going in is super childlike he almost went out of the picture but he's in there i think that matisse's children almost certainly played a really important role as an impetus toward originality in 1904 pierre was four years old and that's the age in which kids love to draw and they do the most original sort of drawings matisse by having those children i think had a source of inspiration around him for really breaking the rules because for kids there are no rules they give him a fresh look and that's what he's wanting that's what he's hungry for and that's what he's been searching for and that's what he gave up everything he learned for was this so that sends him on his way in 1904 six years since he and emily had been to corsica matisse was desperate to go back to the sunlight of the south he was now 34 and i think he wanted to prove to everyone he could be a modern painter in 1904 matisse was invited by the new impressionist leader by that time polisseniac to spend the summer and pen in san jose he had a very nice home there in polisseniac and invited matisse and his family so he went to the south by train taking all these canvases and and work and then he worked with a senior style lots of colors pure colors i went to santrope for a season that's where i encountered the palette of the neonpressionist which is based on optical mixing complementaries on the luminosity of colors that's where i did the painting luke's game i think he felt that he wanted to go in that direction because he wanted to get inside what he felt was the basic structure of modern painting i don't think he had any idea where it was going to take him but what he does in the summer of 194 is a combination of impressionism and not neo-impressionism matisse must have been asking himself where am i going next what is my role here how am i going to take that lesson the new impressionist lesson and move it to the to the next level and so sure he tries his luck with new impressionism and he proves that he is completely able to do that but i think matisse must have felt immediately that this was too stifling a system for him i think that matisse fed of freedom he needed that flow of free vibes in order to to pursue his his program as a painter [Music] neo-impressionist theory is very convenient but in terms of the artist's creation it's completely inadequate one has to go off into the jungle to find simpler ways which ones die for the spirit the following summer he decided he wanted to go south again but he doesn't want to go to central bay because that scenic's town he decides that he wants to go to some place that's a bit off the beaten track and he chooses callier collier is a stony little resort on the mediterranean a few miles inland from the spanish border but in those days no tourists in their right mind would have dreamed of going there it was a fishing village it was heavily heavily plagued by mosquitoes every summer and it was very very cheap when matisse and emily finally do get to kolyuro i think when he saw how isolated they were from the outside world he had an innate sense that this is where he could actually get something done the light is sensational that summer of 1905 matisse took greater risks than even he had ever taken before and what was appearing on his canvases so disturbed him was so unlike anything anyone had ever painted before that he begged various friends to come he wanted support [Music] nobody would come i mean it was a dump you know it was an expensive train ticket they were all very poor so nobody came except for a much younger colleague called andre durham and because matisse was painting some very wild things he painted some pretty wild canvases to that summer season [Laughter] foreign is the fact that andre duran joined him in collier was important they were not in competition they are working together and they were consciously doing something new and trying to break rules obviously what what does that mean that means that they were painting with pure colors then colors that were not imitating nature or what they were seeing color that were expressing themselves [Music] it's a moment of break it's kind of revolution in painting we were at that point like children before nature and we let our temperament speak i spoiled everything on principle and worked as i felt only by color you must realize that there was really at that time between the two a lot of stress and they were very anxious i believe that there are certain moments in the life of an artist where you know that you're taking vast vast risks matisse knew first and foremost that he was breaking ranks with not one or two generations with signiaken and pisarro cezanne he was breaking with 500-year tradition that had started with a renaissance that was suddenly done away with with a few gushing of paint from the tube on the canvas so matisse was totally aware of the radicality of that gesture this summer of 1905 in calgary amelia's support was absolutely key they'd gone through so much together by this time he after all had supported her family in time of extreme need and now she supported him in every conceivable way and i mainly modeled for many of the key canvases that mattis made that summer [Music] [Music] [Music] foreign when i first saw that painting it took me a little time to find her she seemed to be sort of camouflaged into the natural she became the rocks or the rocks became her and learning about the story you find out how much she was a rock-solid force for matisse and durham to support them when they were going through this [Music] it was just i think a very pivotal moment and it just happened right here it's just very [Music] let's see sorry [Music] but look the dice are always rolling [Music] [Music] um [Music] [Music] little [Music] all my life i have felt hunted down because i didn't paint like anyone else [Applause] so matisse comes back from collier at the end of the summer with a lot of paintings and he's going to shove them in the salon doe tongue which is an avant-garde salon which is only a few years old [Music] these i'd like to say were the original paintings but obviously they're not they're somewhere else and these two plus the one of emily and the japanese kimono are the three paintings that he chose to put in the salon in 1905. and i think he felt it was kind of a make or break what strikes me is the choice that he made for the salon because while in collier in 1905 he went back he was preparing a large picture in new impressionist style he worked hard on this picture and suddenly decided to get rid of that and he painted something new something else and what was it it was a portrait of amelie and the portrait of emily was the woman with the hat we go for it but we go for it together here you have this portrait of emily she has her fan her hat and she's made up of these unimaginable colors hot shops at that time were different from today i mean you go into the hat shop you buy the hat that is good and then you buy everything that goes on all the accessories and the colors [Music] and he's really kind of painting not only her from his emotional state but also everything that she has brought to him through the colors [Music] so this is so much more than a portrait when he showed the woman in a hat at the autumn surname it was like a circus act a freak act they'd done that before for matty's paintings of course but never anything quite as monstrous as this the public thought matisse was crazy it is said that people tried to attack the painting the one with the hat is a real provocation it was painted as a provocation and it worked and he knew it because it's a portrait portrait in a way is one of the statest genres of painting there is because the first thing about a portrait it has to look like the person it does look like her but it does look like her in a completely non-normative way there are all kinds of smears of paint on her face and as a result of that salon those artists matisse in particular came to be known as the foes wild beasts is i think very telling as they were seen they were no longer civilized men they were wild beasts they were savages [Music] the general public of course rejected them you might well have expected that the art world too the art establishment dealers no question art critics but the worst of all was his fellow artists [Music] what his fellow artists did in my march was alter a whole lot of posters that have been set up outside your rhinos warning about the toxic qualities of lead paint this was a government campaign and they were determined to stop people using the stuff [Music] and worst of all really there were posters all over the walls saying matisse drives you mad well you can imagine his feelings i mean the woman with the hat and we became the magnet for all the negative feelings i think it's important to remember in 1905 picasso was painting pink period paintings which are very kind of soft and lyrical and i think that a painting like that would have really made him think what the hell is that about and in fact some of matisse's fellow artists apparently sent a woman to the gallery with green paint all over her face so what he does is he paints another portrait of his wife with a green stripe down her face he basically says go to hell i don't care what you think [Music] [Music] this is portrait of emily the famous portrait with the green stripe that i think he used as a real statement piece to say um you ain't seen nothing yet and this piece is a self-portrait from 06 as well just after the salon and it's the defiant piece i mean this is a very tough portrait it's rough it's a little bit dirty he's almost showing us the real raw matisse [Music] he has battle scars and you can see he has been through one hell of a ride and he's not stopping now and he's got a little lip it almost looks like it's out like you yeah it is like a you i love it the more people give him for what he does the more he's going to be himself and throw it right back at people and make them masterpieces at the same time [Music] i think what comes out of madison collier is one of the strongest moments in the history of western painting it's a moment where you you see matisse becoming matisse but at the same time i think that once he's done this he has to step back and do something else he's going to continuously reinvent himself never satisfying himself with any kind of easy solution the paintings in 1917 the greatest paintings indonesia the cutouts i mean the cutout is is another way of inventing a new language as radical as innovative as the fourth period in 1905 and the guy is 50 years older i think if you were just to see this painting of matisse's self-portrait it's so prominent and it's so strong you might think that you know he changed the world on his own in a way he he changed the way we look at art but he needed the strength and the support of emily his wife and in a way they did it together he could not have done it without her i never felt magical being in lockdown doesn't mean you can't still enjoy a look around some fascinating exhibitions museums in quarantine monday at 7 30 on bbc four and right now on bbc iplayer a showcase of some of the most exciting artists working in performance today streaming now

Channel: Ian Layugan

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Id: UwGt_Yugp0w

Length: 59min 46sec (3586 seconds)

Published: Thu Nov 12 2020