Artist Anthony Green documentary 1987

[Music] I passionately believe in figurative painting cavemen 35,000 years scratching images on walls gazing at their aspirations that hasn't changed I just feel that non figurative artists use a clouded mirror Antony Greene himself was only to look in a mirror to find a subject he's lived in this rambling flat in North London ever since he was born his home and his family make up his entire artistic world the walls are covered in large oddly shaped paintings that record the memories and sometimes the fantasies that tell the story of his life [Music] I'm living in the right age I'm dealing with subject matter which I believe is timeless and I'm a man of my age I carry my history on my back like a frisky tortoise and anybody who says that I'm one of yesterday's artists so I'll kick him in the teeth [Music] his Studios watch his parents living room a room with ten walls and a thousand associations it's become a kind of stage for a theater of memory where the private incidents or dramas of his life are made public [Music] in this painted theater his leading lady is usually his wife Mary he talks affair without a hint of hesitation or embarrassment as the light of my life they met as students at art school and they've been happily married for 25 years I want to paint adolescence bicycles dogs Eric my mother underwear bras ears penises nasturtiums flowers teapots carpets my wife the children cross-shaped pictures bathrooms secret things lavatory seats face flannel talcum powder shiny taps bath plugs a gurgle I want to paint gurgles and the privacy of being naked with steam and water there were times when Green seemed a little uncertain of his own identity both as an artist and as a person he pictured himself in many roles he shocked people by identifying with Christ but a closer analogy for Antony Green might be Saint Anthony a man's subject to hallucinations in the wilderness who was depicted as being pursued by demons and haunted by erotic visions the demons fled sent Anthony when God appeared to him in a bright light and just such a bright light shines through the window of a bedroom in the hotel Florida in Paris on July 30th 1961 the day Anthony and Mary green began their honeymoon this is my family tree the artist my wife Mary my late father that's my mother I've got photographs of all of them they all appear in my pictures a lot of other relatives as well I've got two photographs of my mother one in 1929 and the other one in 1985 mine was L do Paul was sort of the young virgin and then the widow who's buried two husbands is the most important person in the group until I fell in love with Mary and then there's her sister Yvonne their husband Morris they're French and opticians in France my in-laws Margaret and Bob cousins Walker very nice people and then over here I've got my French grandfather Kasim your dupe oh now he's really the Godfather of the piece born a French peasant self-made man started in a bazaar and Bordeaux worked his way through kitchens and restaurant ended up at the chef at the Waldorf in London a real success story there's complicated story pictures that I produced is Casimir DuPont which is really a tribute to my grandfather's life and the the strongest sort of image of this painting in fact is the fall of France it's one of the few scenes and I didn't witness myself especially in my mother's memory of her father weeping with sorrow when the fall of France was broadcast on the national news the shock of that for French people living away from France must have been colossal she says that she only ever saw him cry twice once in the First World War when his brother was killed and it's a sad image well my father is a very important member of the family him he died in 1961 he was a cross between mr. Pickwick and who they are mean and life was very difficult when he was alive but you know since you there I've missed him terribly my father was an enigma when I painted a picture called just that the Enigma he was he was so complicated he was he was actually a failure was a hard thing to say about your own father but he I'm sure dreamt of being a general or a managing director he had abilities great abilities had a sharp mind he was reasonably well read but everything he touched seemed to sort of run through his hands like source and his rubber business was shut down outbreak of the second world war because the government only issued licenses to so many tire traders there weren't enough tires and he was done directed into back into the aircraft industry because of the experience in the First World War and of course his business failed then after the war he started out of King and of course he had a drink problem all the profits sort of went straight into bottles of Johnnie Walker and he was very ambitious for me and I have to say in a way that if I've had any success in my life I have you know embarrassing sort of way I'm actually trying to succeed where he failed yes I think that's true my stepfather was a tremendous relief for my mother after being married to an extraordinary lovable monster Stanley Joslin was a nice ordinary honest decent man a real gentleman in the best sense of the word and he was a sort of double version of Fred Astaire with a sort of slicked back sort of shiny black billiard board ball hairdo they used to love going dancing they went on cruises together and they were very natty he was a very natty dresser and my mother bought that's the young mentionable cocktail dresses that was in the 60s I can remember one with sort of electric green ivy leaves crawling up and down the front I think she bought it in Bermuda we thought of green sequins you got a seen her in the dark actually on a foggy day in it marvelous dress except later is it my wife Mary well the photograph was actually taken about one of her ex-boyfriends I think actually was an undertaker called Willem I think and he used to actually make her do the foxtrot and always insisted on sort of leading and from being bossy they were she only tells me that to wind me up I think I actually have sort of love-hate relationship this photograph it's rather nice photograph but actually I resent the man who took it I met Mary at a dance it was Slade and asked her to dance and it's one of those sort of sweaty Barry things the Slade word in for and we dived madly and it was all so hectic that as we twiddled around she swiped my glasses off my nose and they sailed over the throbbing mass and was shattered and she told me afterwards that she was frightfully impressed I said oh doesn't matter I'm gonna uncle in France and optician don't worry about it and then we went off to a sort of heaven and held coffee bar and I thought she was fantastic she was sort of six foot tall and devastatingly good-looking and long sort of hair she was just like something out of Hollywood I mean all the other girls students look like sort of English art school scrubbers really I was absolutely smitten it was love at first sight and then we were sort of just saw each other every day and I chased her like man I'm dozen roses at her girls hostel off the edgeware Road I even rode your Tim on the top of my car roof so that when I popped on her window she blew the horn she'd look out and she'd seen this great slogan and I just worked on overkill really either determined to have her and sort of meeting her really decided my life [Music] the most important thing in my life is everything love from wonderful but exciting that ever happen to me and I started just after I left this day painting bright pictures we were I was coming home where I was then in Paris to get married and I painted Brides yards and yards of brides and white dresses ferocious brides with sort of all-consuming mouths and breasts and that started it we got married and I then celebrated our wedding we painted a very large picture called blow wedding sort of the union of Kentish Town and Watford Junction and we lived happily ever after but as the years tick by we simply were more and more in love I mean before we all reach our handkerchief from blow our noses it really was like that it continues like that this day [Music] obviously I was painting pictures which were chronically now live together and it seemed that I ought to actually fix the day so I started painting anniversary pictures around about our eleventh and more or less each year since I've made one picture celebrate our wedding anniversary day [Music] I love painting them they are celebrations and hopefully they get grander and grander as our love [Music] I decided to celebrate our silver wedding anniversary and made the decision about two years ago having painted all these wedding anniversary pictures the 25th senior excuse for a really large celebratory picture and I decided to really go for broke on it how do you do it silver leave and I thought well no it's sort of Greek I thought I'd going for symbolism lots of silver ornaments and flowers and things and lovely image of Mary and I on our wedding day really the memories of 25 years ago beautiful wedding dress morning coat special tie ice clothes has in a way the picture is actually in our heads as we sort of lie there on the floor cuddling surrounded by all sorts of symbol really copy parklet part of a set with the teapot that I inherited from my grandparents ashtrays which were belong to my grandmother I think they came from Wentworth Golf Club the chandelier that belonged to the French grandparents in Bergerac around we go right way down then you pick up all the heirlooms the other side the christening mug and I didn't actually get my hands on to my own christening mouth imide father died because he used to drink scotch and red wine out of it and since then I've been able to have a drink and put flowers in it pieces of silver I've got special associations with my life oh that for marriage and since I suppose I paint anything between 6 and 10 pictures a year depending how complicated they are how many mistakes I make you sometimes you have to junk ones you've got it wrong from the word go I'd like to paint far more I made guilty about that that is the English sickness the English seemed to admire artists who paint half an unfinished picture a year whereas my heroes Rubens and there was a man who was a real professional the man who could paint 450 pictures a year and ceilings and he could whack the cherubs in on the ceiling before breakfast on empty stomach I mean that's a real professional we do well to look at the Continentals they were wicked but by god they were good and professional I want to be one of those [Music] you've got to find out who you are if you don't spend the whole of your life painting other people's pictures little by little I discovered who I was I think I know who I am every time I make a self-portrait I'm commenting and I'm discovering who I am I found out more about my nose and my ears that stick out of my furrowed brow sort of round top to my head each piece gives me a more complete picture it's a search [Music] the pictures in my mind have no edges so to stuff all my information all my visions into a rectangle seems to me irrelevant but what I do aspire to is to produce images which have irrelevant perimeters now I know that's impossible you cannot have a picture with an irrelevant perimeter but the journey towards that that's a journey which I face with relish I know every skirting ball war picture round corner ten walls to the room all the way round size height angles and I've tried to paint everything every viewpoint every angle every little bit the peripheral vision French window sliding windows floors carpets chandelier came from my French grandparents villain in Belgium made in 1923 and I'm the only member of the family with a ceiling high enough to enjoy it seven bulbs like a tree really if you actually sit down on the floor and look right up at it and you think that the ceilings are desert and it's like a golden tree growing up off the floor one of those objects that you well it torments me really I suppose I've lived my life in here really it's like an engine room I make forays out from here down to the local tobacco shop or as far as where as New York and Tokyo but I always come back here and make my dreams come true I'm asking searching looking expressing opinions I don't think I've painted myself into a cul-de-sac but I sometimes feel I've walked into a huge landscape and I can't see the horizon that's very exciting [Music] laughter we'd celebrated after women verse three we had a party in London better before date we went to Venice I never would've thought we were in Venice we came back two days earlier our actual wedding anniversary we were actually in sconce to the Ritz for two days and booked a room before we went to Venice mom a very happy time lovely and the room was was newly decorated I discovered after all blue and white and gold I desperately want to actually Chronicle those two extremely happy days spent at the Ritz already while we were at the Ritz I've got my camera out at a 30 pitch is a big bed and sort of Piccadilly I took a few snapshots of the interior of the room from the first working drawing the first middle square the very first thing the idea of the loving couple in bed together then around them I established the information that I needed the contents of the room the bed the carpet the radiator grills of wall brackets and that gave me my sort of ammunition so to speak then I worked on smaller things like a group sort of over here these tiny things sort of working out just the scale the size the direction the objects would take I just don't know whether I'm going to be able to pull it off because everything that's happening the supper-table is influenced by the couple who are kissing in the chair everything in remark I makes has to be influenced by what's or what is there so far what I've got is the promise of a triangulated shape with a curved side on the left which looks straight but in fact it's actually cut in a great arc on the left-hand side and I've done that in because as a result of the bottom of the picture in fact is the remnants of one that's just failed my hunch is that by using the carpet pattern as a sort of flexible link I'm going to be able to get away with sheer bloody murder when it comes to the perspective of the thing I shall use the carpet of the sort of life belt everywhere by bending twisting moving scale up and down shifting it about using tonality color by that I'll have the whole thing is going to be clamped onto this flat surface by the carpet and by the where the shadows go at the moment of the shadow for the couple at the bottom is sticking up in the air and in fact I've it's a simple choice I've got I can point the shadows in 360 directions so I may just haven't got too many to choose from I just keep on going around I'll hit the right one which fits with the one at the bottom if I get it right it's gonna be sublime otherwise it's bashing zuv egg I was brought up as a Roman Catholic and was a practicing Catholic under the age of about 17 if you are a Catholic you know about mortal sin and you know that well I was brought up to believe that sex outside marriage and things like masturbation were sins and if you read about them I remember reading a book in France written by the Archbishop of luminol which actually chronicled in gruesome detail all the various sexual sins I'm it was a titillating book but of course it was written by an archbishop and leather-bound and I thought my god you know I'm guilty of a few of those going out and down chapter 19 and the pictures about that Catholic guilt stays with you all your life I have died guilty I've enjoyed some of the time [Music] the underwear that Mayor is wearing I got from Casman fashions in Bradford in a brown envelope and they're those ridiculous bras which sort of lace but no silk fringe sort of you know strap around the foot of the heart revealing cut and they're very erotic shocking though it may seem I see them as Christian tracts never said that before but I think they are you see I have I faced the dilemma of the late 20th century artist I can't go and work for the Pope or for the moderator of the Church of Scotland because they don't actually want me so I have to paint non-religious pictures that in that narrow sense in fact there are celebrations of Christian marriage the Hall of Mirrors is for me an important painting in the cycle of early memories it chronicles the day that my future in-laws came to tea of course my parents were divorced so that my mother wasn't present the tea party took place in what had been the family lounge and I was petrified with fear that my future in-laws would in conversation talk about my mother and of course my father would have kind of glowed sort of white-hot because after the separation it was it was impossible to mention her name at his company so that the tension I simply couldn't handle it i sat there like a sort of bat-eared form well that's my father's description of me just praying that the day would go as quickly as possible nine Lords hardly realising the family tensions that they were actually sitting in the middle of my father did actually go to lunch with the cousins walkers on a Sunday and afterwards as we drove back to London his comments were I think mrs. cousins Walker is a charming lady the implications being that mr. cousins Walker wasn't a gent looks like a retired colonel but he didn't speak with a sufficiently polished middle-class accent for my father's approval he didn't have to say that I just knew it [Music] my parents were married in the 1930s on this musical box is one of their wedding presents it was given to them by a maiden lady friend of my father's family and as a child my mother used to flip the lid open a little bird used to sing and I'm told that I blinked every time the bird flashed her back and the lid clunks down on top of it look charming full of childhood memory in 1967 Mary and I went to live in America and left the bird with the bank manager when we came back got the bird out of the bank pressed the button the bird had got barren giantess so I fiddled about with it and thought I could perhaps sort of put some three in one oil and it or something from ridiculous and unscrewed the legs underneath it in term absolute amazement a front panel slipped open on the docks and there was this couple counting on a French bed I almost dropped it stops it was what I wanted to know was did my parents know this couple were there [Music] hello stuck into the KP I know he's doing it now John are we actually running it's gone now that's wrong they'll cut it their sandwich man thank you thanks when you were a bad 18 I think it was you made a couple of decisions that most people fail to make in their lifetime you fell in love with the woman who became your wife and continues under they get about the same time partly because of other part because it wanted to other things ever happening as I understand it you decided on the subject of your painting which was to be your subject for the rest of your life and has continued to be the subject for this really listen well I'm pretty clearing up two of the problems of living how did you manage to arrive at that so clearly you think looking back I think it was a sense of history which I inherited from my father I was very aware of the situation the artist found himself as a result of what I loosely called the romantic revolution at the end of the 19th century the artist was totally free to do anything he wanted he could paint just about anything but what he wasn't going to achieve was to be employed by a pope a king an emperor a politician so when I left art school it was go forth young man be an artist what the bloody hell to do what are you gonna spend the rest of your life do you actually feel that you're an artist what are you gonna do with all that time a lifetime 60 70 years and and I actually asked myself the question what am I most excited by and it was a non art answer that I got I had fallen passionately in love why not paint that and I make it sound very simple but a lot of torturous thought went into it and I hummed and hard and smashed my way through acres of lousy pictures with that crystallizing I mean I was like a I was like a electric wire and I was I looked like a sort of things being stuck the ring main I was black and twitchy and thin and gaunt and look like I sort of visited Toulouse Lautrec I was that sort of twitchy bit I had how did you as it were get going and think that well there's gonna be enough in this to interest me to take me along to develop my skills and my ambitions and their aizen's as an artist I mean how did having made the decision was it were I know we're simplified I think I simply wherever the fact I was in love I'm it was a anybody who's fallen in love will naturally know what I'm talking about rational thought goes out of the window I mean every moment of my consciousness was directed towards Mary cousins Walker this sort of Hollywood type gorgeous girl that I meant at the snow they were all a lot of slags the others they were all what I call British artists tied up neighborhoods some stills of your content they were you know they've had sort of no makeup and flat shoes and they carried funny sort of knitted shopping bags and droopy sweaters and Mary Moore oh that's very bad she won't plums next sweaters proper makeup her hair was properly done and she was like a proper woman and a sexy erotic woman and she didn't look like a child sort of going going to university she was a woman at an early age and I mean I've this was just this was red-hot this was nuclear love wonderful and that's what I was painting about putting the the the next outer ring of the family onto that came a little later when I actually rational thought came back did we are contemporaries in the early sixties surprised that you were taking this line and did you did you feel yourself defining yourself against them because you're going this way that way or the other way I think Mike I did Mike my contemporaries reaction by that enjoyment that I mean artists I couldn't get a damn what they thought I think they were appalled when I was a student they thought I was oh just beyond the pale my paintings were breathtakingly vulgar not in a sexual sense but none of the good qualities were slayed stood for ever touched me as a painter either the slave didn't teach me to paint they taught me to draw but that's another topic from the part of your painting a really big important painting I didn't see that it was late I have to go to the Louvre to occur Jericho and daveed and French night his cook Bay that was prop there are another clock rape death of son Apple oh oh fantastic I'm so big ah yes proper size proper size one time and that was a real picture and all this nonsense in England all this sort of subtle Tim Richard Wilson landscapes and bloody Gainsborough Reynolds terrible I mean David it's a very good landscape so far I mean I mildly one of my girls wonderful how would you how would you describe your own paintings how'd you describe this baking and narrative paintings I find that I used the old-fashioned word chronicler actually they tell stories and in that I mean very good company I choose to justify what I just said listen by going to the National Gallery I mean most of the paintings there tell stories with except from a few landscapes I'm still lives but the majority of painting for 2,000 years what about 10,000 landscape can tell very considerable canvas landscape so who signs a Lorraine they won't tell ya storytelling is not devalued I'm it's a timeless in that sense I'm not a revolutionary on the use of subject matter do you see yourself as being part of a British tradition or a particular strand in a British tradition is our Lord grudgingly I'd have to admit that I see myself as part of a continuing British tradition of I hate the word eccentrics Samuel parmitt and Spencer the whole caboodle borough we've seen her as an eccentric yes I think anybody'll ushered themself to a mast in the middle of the channel you know when the well is a bit sort of porky give it our own czar brothel in walking the probe bring Britain didn't go in for schools Britain's good on singles we've never produced something like the French impression so daily went off you know painting the open air in the there were lots of arguments a few years ago this slightly quieting down there about the way that photography might have displaced certain areas overlapped or in the sense I raised certain areas of painting and there is similar arguments now who wants to bring that up although one doesn't hear them as a matter of fact but still that they useful to recall here because of your domestic interiors about film and particularly television taking over the narrative pictorial recording aspect of the lives are others do you feel that there's any competition that there's any takeover that there's anything similar between what you're doing and what's happening on the screens all over the place around you yes but actually I do something that nobody can compete with the way I could actually build my picture plane and the way I organize my image my information being narrative The Chronicle I'd do it in a way which I've yet to see another medium better I do it in a way that others cannot do are you talking about similarity of scenes and yes in what in one on one picture and these reasons let me give you a 15 which I feel strongly about which I have tried to include in all my work and that is the common viewpoint now I'm trained as a professional artist that is by sort of what I call English standards you close one eye extend the arm measure with pencil and you get mono I've you point now if you wish to see with both eyes it throws the whole thing out three-dimensional look now that's a professional look now a non trained art a person sees the world perfectly adequately but of course when you go to art school you have to unravel that and undo it but it's that innocent view but I think is so important the practical detail is you're doing a new painting it takes you two months to do a painting it's an enormous amount of work as anybody will see seeing this program and you decide to do this particular thing I just wondered how that was arrived at I'm just intrigued as to how that particular I see I'd say that I'm all for his ideas I mean I think this just happens to be me and he decides and he's inventing all these incredible stories and recording these situations and making creating pictures using stuff that's living material around him and I mean I might be a vast but I'm not I happen to be Mary and he loves me but of course if you'd if you'd painted the same subject matter of course it would be different because we're two separate individuals but you know each other so well it's really quite I mean I did a wedding anniversary picture the 70s over sexually celebrating our wedding either it's been a tent in Sussex now I'm sort of the seriously kind of crawling towards Marion sort of I'm buttoning her sort of black bra and she's actually looking their snotty and you'd you have painted me you doing to me you see I would never pick pictures that's that's the difference it's two individuals and that's what's so marvelous about the 20th century is that because we've all been given this amazing freedom everyone's an individual but of course it puts tremendous pressure on you not just me or Mary but any artist you've got to be original the whole time and quite tolerant I mean you said you had never prayed pictures about of that I'm not tolerant I'm just bloody mind in a tub an individual and as I keep stressing and nobody really ever understands what I mean but we literally I mean I have known a longer but I knew my mother before I met him I mean that's how involved we are with each other I mean we are just absolutely we didn't form each other because I don't believe marriage is anything about taking somebody over and changing them but and in the process of growing up we must have surely shaped each other like cakes cooking in the oven you know you very very good influence on me because you have actually sort of changed I've got much more sort of tidy cleaner habits I will now say to you then what our daughters say to us god don't be so patronizing looking around my acquaintanceship we're about the same age I'd guess and I we all know quite a few people I think you're unique in having lived in the same place all your life and the place also in which your parents live and that obviously brings things which you know security and continuity which are you can't get any other way nobody back to you if somebody blows looking literally when you came to live here yeah it's mr. awful crippling experience I had to turn the place into my own and I had tactfully over very many years because everything as I have moved into had a history for Antony how did you feel about being the subject of his obsession his painting Oh thrilled because I mean we were you know we fell in love and it was just you know the most natural obvious thing we were each other subject matter morning noon and night in every sense it's a very public forum painting because you do the painting in a way cares at the gallery and somebody wrote about it and it's seen by massive public never more your you are following a very private and intimate course in your subject matter do you feel any worries or embarrassment or concern about that that juxtaposition no I wouldn't want to destroy my relatives so that sometimes some of the pressures in the family I tend to hint at them rather than use a sledgehammer more immediately they intimate like between yourself and Mary is followed in through the paintings through the years no does that I'm not saying does it bother you but it did is it a cut is it anything that crosses your mind that they should this private thing should then be up for public view because they're not doing anything unholy or disgusting I mean it I've never painted a picture of us picking each other's noses or anything like that we're engaged in the timeless activity of being in love and being married I mean things about everybody is concerned with that I was doing something rather nasty and dirty I'd be rather that I'd be concerned between the painting something I mean it's only one mighty moment or one miniscule moment he's actually kind of gone on about on a piece of board I like to think I've got plenty kind of tucked under my arm but nobody xi know about my daughter lucious it has much too much art in the family well I don't know about that we'll have a little cottage in the country man has made this textile sculpture on it and we try to get there as often as possible in spite of what Lucy says we take our out with us when we're there it's surrounded by those marvellous garden I can't do landscapes but I can do a very nice garden and it's like a room with a blue ceiling so I'm at home there knock those out I love them marbles lots of flowers very excited and then when the weather gets grim and I don't want to do that we can go inside and their small rooms coziness coal fires we spend Christmas there that sort of thing Christmas tree the shine on the gold leaf that Christmas baubles it's a very special place reality and fantasy and our dreams are all intertwined it's a place that you don't grow old in [Music] when you're in love you feel passionate and a series of pictures developed few years ago which were entitled passion one two three four five six seven the series will probably continue it is if you hold hands and you walk round a beautiful garden full of flaming red hot pokers and roses passionate experience [Music] right okay now we turn so that end right over there okay round we go oh hold on just a minute I have forgotten to take the safety wise off okay piece with me going away forever probably on the other hand I'm actually delighted to get the thing off my back because it's been glaring at me for the last sort of three bouts from my work room wall and it means I have been able to get on with anything else really no I've actually got it out I know it's a way I've just got to get on with life which means more pictures and new ideas can be sort of polished okay fine we're all right there that's it now okay now we've just a pause a minute get ourselves straight right right down are you ready yeah right who comes thank you okay I got it okay all right it was my dream I wanted to be a professional artist and by professional artist I always understood that that was somebody who did it for money and that meant meant that if you actually had sufficient skills and you put them in the marketplace somebody would reach for a checkbook and part with money I still think it's the best reward that the artist can have if you make something with love and somebody says I can't bear to live without that there's a few quid for it that indeed his flattery beyond measure to be able to live by your skills it isn't given to many people and I'm very fortunate I'm very I actually be very humble about that because not a lot of painters in the Western world are able to sit at home and paint their dreams and I've been able to do it [Music] okay you stand here their arms out stretching your legs wide apart right and hold it okay I'm getting around the other side now yes I am [Music] I haven't been a painter the only thing I'd want to do is win the Tour de France to be a professional French road man the dream you know straight over the top of the out down the other side first in Toulouse Sean the rest 20 minutes behind you just freewheel all the way to Paris for the next few days and that that I'd really wanted to do that very bad if it's pure fantasy there's a circus picture that's also about daydreaming I took the family to Roberts Brothers Circus in Cambridge and the pictures actually developed so that you get Mary as the star bare-breasted swinging heroically on the trapeze whereas the attendant is actually the man who shovels the up and the elephants have been through that's me with a hanging out of my mouth sponsoring Rizla on the collar of my uniform Oh in the glasses you can see the trapeze it's empty that's reality fantasies actually marry on the trapeze [Music] people say well of course you pay pictures they're popular therefore they must be sort of mediocre no no I'm taking everybody to paradise with me frightfully arrogant by god I'm gonna ramen through the gates of paradise millions of them [Music]

Channel: Steve Haskett

Views: 3,446

Keywords: art, painting, anthony green, self portrait

Id: 7lurnRVoxm4

Length: 50min 41sec (3041 seconds)

Published: Wed Mar 25 2020